Review – The Toffee Factory Girls

“Some may say I’m ruthless, reckless, a rebel. But all those ingredients, along with the best cream and top-quality sugar, go to make Jack’s toffees the best in the land.”

Chester Le Street, 1915. A war raging on longer than people had predicted, men enlisting in their masses and a huge factory in need of some order, hard work and a rebrand? Get some women in to sort it all out! Hetty, Anne and Elsie make the perfect trio in the first of Glenda Young’s latest trilogy ‘The Toffee Factory Girls’, which has all the ingredients of a gripping and un-putdownable saga; and is wrapped up with intrigue that has left me itching to know what happens next.

No-nonsense, organised Anne was my favourite from the start, but as with all of Glenda’s novels, I found myself constantly re-evaluating me opinions of each character as the story progressed. As a type-A person myself, I instantly related to Anne, but together with ditzy Elsie and dependable Hetty the three girls form a perfect blend of personalities which compliment each other, and are a force to be reckoned with when they work together. Without spoiling anything for those who are yet to read this, it became clear from early in the plot that Anne has a rich back story which I am intrigued to learn more about as the trilogy progresses. Glenda has once again mastered that fine balance of giving enough to really pique the reader’s curiosity, sending the cogs in my imagination whirring as I turned each page, but maintaining the mystery right until the end, which has left the door firmly open for us to (hopefully) delve deeper into her history next time, which I can’t wait for.

“If you want my advice, take happiness where you find it. You never know when your life will be turned upside down.”

One of the main things that I love about Glenda’s novels is the complexity of her characters. Although Anne was initially my favourite, I don’t mind admitting that I was frustrated at some of her treatment towards Hetty and Elsie at times. But, as with autonomous humans in real life, well-written characters seldom do what we want them to, or at least not consistently. Anne is exactly the type of complex female heroine that I have no doubt told Glenda exactly how her story pans out, and not the other way around! Similarly, I took an instant dislike to the somewhat immature Elsie, particularly after her early betrayal of Hetty, but through her complex personal journey throughout the story, I found myself really rooting for her by the time I closed the cover, and can’t wait to see her continue onwards and upwards (hopefully) when we see her again next time. Hetty felt, to me, like the glue which holds the group together, and could easily have become the typical passive ‘best friend’ character, who probably would have been given a back seat in favour of the more vibrant Anne and Elsie by many other authors. However, I presume Glenda is a dab hand at juggling from the way she perfectly balances all three girls’ stories with equal parts of drama, suspense and love. As a feminist it pains me to admit it, but something I really love about Hetty’s story is the bubbling romance, which is even sweeter than the toffees she wraps. But having said that, Hetty strikes me as the kind of girl who has always been overlooked. Expected to put her own wishes and feelings aside in order to support everyone around her, which is what makes her such a loyal friend, so if anyone deserves to have someone notice her and shower her with a bit of love, it’s our Hetty.

Again, as with all of Glenda’s other saga novels, the setting is so vibrant that it’s almost like another protagonist in itself. Despite being relatively local to Chester-Le-Street, I had no idea about the real factory which inspired Jack’s Toffee, but now I almost feel like I’ve been there because it’s described in such vivid detail as the plot progresses. I could practically smell the toffee wafting out of each page turn.

All in all, although ‘The Toffee Factory Girls’ has all the key elements of a typical saga – romance, mystery, feisty heroines and a rich array of background characters who swirl the plot around and keep the reader guessing until the end (and beyond), it certainly stands out from the others on the shelves. Once again, Glenda Young has taken a relatively forgotten and mundane chunk of local history, and given it a rich and exciting new life. I can’t wait to see what’s coming next for The Toffee Factory Girls, because if this first instalment is anything to go by, I know it won’t disappoint.

Review – The Widow’s Choice

“One thing I’ve learnt this past year, is that you don’t ever know what’s around the corner.”


She’s BACK! No, not just the fantastic Nancy Revell, but one of our beloved, fierce and fabulous women welders from Thompson’s.

Of course if you’ve even so much as skimmed over my earlier blog posts, it’s obvious that I (like many, many others) was/am a huge fan of ‘The Shipyard Girls series’, and was therefore waiting with baited breath to see what Nancy had for us next. No pressure there, right? ‘The Shipyard Girls’ was such a huge hit with saga readers, and beyond, so it must have been pretty daunting for Nancy to follow on from. Think The Spice Girls – yes, we eventually got ‘Spice Up Your Life’ which was an absolute bop, but when the first creative success you have is ‘Wannabe’, it’s basically impossible to immediately follow that with something equally brilliant (sorry ‘Say You’ll Be There, you just didn’t cut it for me). So I’ll be honest, I did no background research on ‘The Widow’s Choice’. I decided to approach it completely fresh, tried to put all things ‘Shipyard Girls’ out of my head, opened the pages and prepared to just appreciate it for whatever it was, whether that be another smash or something akin to that slightly less catchy second pop single. However, as always, Nancy knocked it out of the park.

Excited is an understatement to describe the moment I realised ‘The Widow’s Choice’ was a follow-on from ‘The Shipyard Girls’. Although the ‘Shipyard Girls’ saga ended with a wholly satisfying and heartwarming finale, they are all such fantastic characters that I will always have room for more of their stories. Like Downton Abbey – the series finale was completely *chef’s kiss* and tied up all the ends, but the subsequent films were like a wonderful dessert after an already fabulous meal, just like ‘The Widow’s Choice’. Having said that, however, Nancy has managed to perfectly strike that difficult balance between nods to the individual characters’ histories which thrill the familiar fans (hello Dr Eris – I spotted you towards the end!) and a rich plot which takes the reader on such an exciting and unpredictable journey that it works entirely as a standalone novel. So, if you’ve been living under a rock and haven’t read ‘The Shipyard Girls’, do not let this be a barrier to picking up ‘The Widow’s Choice’; although I would also urge you to start on ‘The Shipyard Girls’ after, because that’s equally gripping and un-put-downable.

“Angie owed it to all of them to put on a brave face and to start getting on with life again.”

So, we find our beloved Angie and Quentin four years on from VE day, and my goodness haven’t things changed! Angie has navigated the transition from coalminer’s daughter come woman welder to mistress of the manor, although I can imagine that the process of this was far from seamless, particularly once we’re introduced to Quentin’s mother Evelyn – monster in law if ever I saw one! Nancy Revell really does know how to write a baddie that we love to hate. I did wonder if Evelyn had ever come across our old favourite villain Miriam in their mutual social circles, although I dread to think of the chaos which that combination of personalities would ensue. The phrase ‘folie a deux’ springs to mind.

Although she is lady of the manor now, I was quickly relieved to find that our Angie hasn’t changed too much. She may be far from the impulsive, fun-loving and carefree girl we met several years back, but she certainly hasn’t forgotten her roots. When tragedy strikes in the opening chapter, Angie is understandably distraught and has the wind well and truly knocked out of her sails. But, with her motley crew of younger siblings in tow, as well as a spirited toddler of her own in the mix by now, the support of the eclectic mix of household staff and a fabulous new friend Clemmie (who even gives our Dor a run for her money), she rises to the challenge and, of course, comes out on top. And, in classic Nancy Revell saga style, does so with a new romance so fiery leaves even the draughtiest corners of mid-Winter Cuthford Manor, toasty warm.

I’m already counting down to the next installment, and can’t wait to see what Nancy has planned next for Angie and her tribe!

Nancy Revell’s books are enjoyed by all ages in this family!

Review – The Sixpenny Orphan

“The future was full of possibilities, making her mind race and her heart soar.” 

We all know that Glenda Young has asserted herself as one of the main faces in the saga genre. When I pick up one of her books I don’t even need to read the blurb as I know I’ll be hooked from the start; frantically flipping the pages with baited breath, desperately needing to know what happens next. Of course, ‘The Sixpenny Orphan’ was no exception.  

One of the reasons I love Glenda’s saga novels is her consistent ability to write amazing heroines who overcome huge adversity, have incredible strength and both inspire and humble the reader; although this time, she truly outdid herself by giving us not one, but two! My initial prediction when I realised this story was one of two sisters, was that there would be a typical ‘good’ and ‘bad’ one, the latter of which I would love to hate. However, as Glenda does so often, she took what could have been a typical saga plot and broke away from that mould, putting her own unique spin on these characters. Although we quickly learn that Poppy is the slightly more outspoken of the two, I was surprised and pleased as the story progressed and the complexity of both characters began to unfold as the chapters (and years) went by, with both Poppy and Rose having strengths and flaws which were unique to each of their multi-faceted personalities.  

I wouldn’t say I had a favourite between Poppy and Rose, since both had their own, equally rich and intriguing personal histories, but one aspect of the overall story which really stood out to me was Poppy’s struggle to balance meeting the needs of her children, husband and sister; to say nothing of her job and responsibility of running the house. Some feelings simply transcend eras, and the overwhelm which comes from meeting the emotional needs of everyone around you whilst carrying the mental load for the household as a collective, is a feeling shared by mothers, or ‘default parents’ everywhere. A great deal of Poppy and Rose’s struggles were, although very emotional, quite unrelatable for a typical 2023 reader, most of whom simply cannot comprehend that level of poverty and inequality, but the emotionally drained mother trying her best to do it all is a feeling which struck a cord with me, and probably many others, instantly.  

Glenda has an amazing ability to write inspiring heroines who we are all rooting for, but what ‘The Sixpenny Orphan’ really highlighted for me is Glenda’s aptitude for writing truly incredible leading men. I have touched on this before, but the character of Sid really emphasized this for me. The world of fiction is absolutely littered with dreamy, idealistic men, but being able to create one which has appeal within the context of a mining village in 1919 is no easy task. In a time and social context where women and men had very clear roles, defined both legally and culturally; decades away from women having the most basic of rights such as their own bank account (which is ridiculous when we consider the fact that most, if not all, of our Ryhope heroines work in some capacity, but the patriarchy never did make sense to me), it must have been incredibly hard to write a man who is appealing to a 2023 audience and yet still believable in the context of the plot. Of course Glenda nailed this though, and our lovely Sid embodies all the qualities we want in a modern man; he’s supportive of Poppy’s dreams, values her family and is a relatively hands-on dad (a term I despise), but is still very much of his time in that we still wouldn’t trust him to make a batch of soup or to tackle the mammoth task of laundry day. But, when it really matters, he is wholeheartedly there for Poppy and her sister. Not that she needs him of course, because like the rest of Glenda’s heroines, she is more than strong enough to face the world on her own, even more so with her sister.  

“I daresay you can cope with anything life chucks at you.”

Similarly, I really enjoyed the glimpses we had into Ambrose and Ella’s relationship. Although secondary characters, it was moving to see how Ambrose truly sees Ella as his equal and values their business as a joint venture; another modern man like our Sid. I like to think that seeing this relationship at an early age (even when she was being told off) is what taught Poppy that she shouldn’t settle when it comes to her own choice of husband. A lesson which, thankfully, Rose eventually seems to learn too. Some of our Ryhope heroines weren’t quite able to get the measure of the right man, but Poppy especially seems to know what she wants and isn’t prepared to settle. It’s not often I celebrate the male characters over the females, but the world could definitely use more Sids and Ambroses!  

Another thing which I particularly enjoyed about ‘The Sixpenny Orphan’ was Lil Mahone’s redemption arc. For those of us who have followed Glenda’s Ryhope sagas up to now, Lil has become the one we all love to hate; her gossip might help to move a plot along nicely from time to time, but I would really hate to know her. Although, having said that, I think every street has a Lil Mahone in some form; and she would absolutely be the diligent, Karen-esque admin of her local village Facebook group if she were around today.  

All in all, even though I’ve had many, many visits to Glenda’s world of 1919 Ryhope, she continues to churn out fresh characters and plots which make the stories of this familiar village feel like we’re visiting for the first time. The only thing I was left wanting more of from ‘The Sixpenny Orphan’, is Rose’s story. I would be so interested to read this same novel written from Rose’s perspective, to really get into how things felt from where she stood.  

Blog Tour – A Mother’s Christmas Wish

“It was true she had fire in her belly, a lust for adventure and a craving for excitement that she knew she’d never find living in a small village.”

I’ve read all of Glenda Young’s books so far, and I maintain that it’s impossible to pick a favourite, but if I had to; then this one would certainly be a strong contender. Cakes, Christmas and a whole lot of smashing the patriarchy – what more could you possibly want in a saga? Although it would be hard to choose a favourite book of Glenda’s so far, Emma is without a doubt my favourite character she’s written. Don’t get me wrong, I love all of our hardy Ryhope lasses who conquer their fears and overcome huge obstacles to find their inner fire, but what particularly charmed me about Emma is how she arrives in Ryhope with her fire already blazing; perhaps a little too brightly! At first, as much as she made me chuckle, I didn’t really feel sorry for her in the way I usually do for the heroines Glenda writes. Even though it gets her into some sticky situations, I love how Emma seems to just let whatever ideas or observations pop into her head fly out of her mouth or transpire into action with absolutely no regard for the consequences. I suppose the polite way of saying it is that she has no filter, and I can’t imagine why I would relate to someone with that particular ailment (although I’m sure my husband would have a theory).

So, after bursting into Ryhope with a somewhat colourful entrance, Emma has the reverse journey of the heroines who have come before her; gradually learns to see things from other people’s perspectives and, thankfully, fine tunes her ability to judge other people’s characters, realising that there is often more to people than what is apparent on the surface. Similarly, I quite enjoyed seeing Emma’s leading man’s journey from a brooding, rude and somewhat of a Marmite character to a dependable, thoroughly wholesome and definitely fanciable type. He’s also somewhat of a modern man, almost feminist in his support for Emma and her leading ladies which I really loved. Of course I won’t name names for anyone who hasn’t read it yet, but it was an interesting twist between Emma’s character development around becoming more balanced and less led by her emotions, and him learning to push through his instinct to be cautious and fear of feeling anything too deeply. By the end, they were balancing each other out perfectly.

“Being with him made her feel free in the same way as she felt roaming the hills above Loughshinny.”

I’ve made no secret of my desire to have a spin-off novel where all of Glenda’s feisty heroines unite and take on the world together. So, I was absolutely thrilled to see all of them getting together in the final chapters for Women’s Christmas (a tradition which I will certainly try and implement in my family; as the one who usually gets lumbered with cooking the dinner it seems only fair!). Emma’s story is also set a few years later than our other heroines’, so it was very nice to see that they are all still settled and thriving in Ryhope by 1923. As if we would expect anything less from these fearless females, though?

“Ryhope becomes a part of your very being. It embraces every part of you.”

As always, my only criticism of Glenda’s saga novels is that I want more. I’m a glutton for the triumphs and tribulations of her feisty Ryhope heroines and my need to know what they get up to next will never be satiated. But, ‘A Mother’s Christmas Wish’ has left me feeling more than sufficiently festive, itching to hear my boots crunching in the snow and peckish for some apple cake (even though I’ve never actually had it) – so any recipes would be greatly received!

Glenda Young credits her local library in the village of Ryhope, where she grew up, for giving her a love of books. She still lives close by in Sunderland and often gets her ideas for her stories on long bike rides along the coast. A life-long fan of Coronation Street, she runs two hugely popular fan websites.

For updates on what Glenda is working on, visit her website glendayoungbooks.com and to find out more find her on Facebook/GlendaYoungAuthor and Twitter @flaming_nora.

UK – https://www.amazon.co.uk/Mothers-Christmas-Wish-heartwarming-sacrifice-ebook/dp/B09GFHCKBP

US – https://www.amazon.com/Mothers-Christmas-Wish-heartwarming-sacrifice-ebook/dp/B09GFHCKBP

Farewell, Shipyard Girls!

We all have certain stories, certain characters or worlds which stay with us long after we’ve turned the final page. ‘The Shipyard Girls’ may appear to the objective observer as a typical saga series (a very well-written and addictive one at that), but for me this series marked the start of my first ‘proper’ writing experience; the first time someone other than my immediate family or friends (i.e. someone not morally obliged to) told me that I wasn’t terrible at it. I was a little bit late to the SYG party, but a couple of months after binge reading the first three books on holiday, I found myself between jobs and a bit unsure of the next steps. With a decent stretch of spare time on my hands for the first time in years, I decided to start writing. On the advice of a friend who had had some success, I began by writing about things I enjoyed and so, this saga series which I couldn’t put down seemed a logical place to start. When I received an email from Nancy herself to say she really enjoyed one of my reviews and asked if I’d like to be part of the next blog tour, I couldn’t believe it – a proper, successful author liked something I’d scribbled together on my ancient laptop one rainy afternoon.

I had no idea where my writing journey was going to go, and as evidenced by my completely sporadic and random postings on this blog, I still don’t. But the main constant since I started this page has been regularly scheduled hype about the latest SYG instalments and gentle background encouragement from Nancy. Since joining the club of SYG bloggers and having the privilege of getting to know Nancy, I’ve had three more career changes (I never was able to focus on one thing for too long) and become a parent; none of which has even slightly resembled the life plan I had in mind at the time I started blogging. Which, is what made it especially poignant to be alongside the girls as they all ended this chapter of their journey in preparation for embarking upon their next unique and exciting steps.

“Life, she had learnt, was lacking in certainty, and sometimes it ended up sending you down a different route to the one you had intended or wanted to take. Sometimes…those unexpected turns in life led to something rather special.”

I’ll admit I was nervous to start ‘Three Cheers for The Shipyard Girls’, partly because, as with all of the readers who have loved this series, I didn’t want it to end but also because I was really apprehensive of a potentially rubbish ending spoiling the rest of the series. It’s strange to think that we (as readers) have these particular series and characters that we really love, which are a result of a particular author’s imagination, and yet we seem to have no faith whatsoever in their ability to take the stories where they need to go. I genuinely felt under pressure as I started to read Three Cheers, and was quite fraught about whether Nancy was going to do our girls justice; so I can only imagine the anxiety which the prospect of ending such a well loved series caused her! Of course, as always, she absolutely nailed it.

My prediction for ‘Three Cheers’ had been a final epilogue with a flash forward to the girls with their granddaughters at the 2020 VE day anniversary celebrations (obviously in a perfect universe where coronavirus didn’t exist), mainly so that I would get to find out where life took all of them but actually, the ending Nancy gave us far surpassed this. Really, the ending of ‘Three Cheers’ felt like a beginning, with all of the girls parting ways to embark on the next stage of their lives and all being exactly where they should be; their collective journey having been completed and now fragmenting into individual, enthtalling stories just waiting to be written. The imagination of the reader as to where our girls might end up after they’ve taken these next steps takes their journeys so much further than any author (even Nancy) could. Even as an avid SYG reader myself, I can’t specifically whittle down where I want each of the girls to go in life; so the possibilities being conjured up by the individual readers’ minds are boundless. Just imagine the fan fiction spin-offs we could end up with!

As sad as it is to know that I won’t have any more exciting anticipation of new SYG books, I will certainly be re-reading the previous ones from time to time to catch up with my old friends and reminisce of our adventures; and I don’t mind admitting I’m glad to have finally shed the anxiety of Helen and Dr Parker’s infuriatingly inconsistent ‘will they, won’t they?’ drama. And, it’s comforting to know that we’ve left each of our girls at the exact right place for them to embark on the next passage in their lives (including Miriam – if you know, you know) but, if the day ever does come for an on-screen dramatization then Nancy, you know where to find me. As a Mackem lass who grew up within spitting distance of Tatham Street, I can think of nobody more befitting of a cameo…

Blog Tour – The Miner’s Lass

“Polly’s words about her never accounting to anything made her blood boil. She didn’t know how, not yet, but she vowed to herself that one day she would prove the woman wrong.”

Having my annual trip to Glenda Young’s dramatic yet enchanting world of Ryhope Village in 1919, I wondered what most saga fans do when they come across another story from the same context…how much further can she really go with this? What can she give us that we haven’t already seen? Well, once again, my ponderings became immediately redundant.

As with its predecessors, of course there were many aspects of ‘The Miner’s Lass’ which continue to set Glenda Young’s stories apart from others of this genre, but the element which really jumped out for me, more so than anything else, was the sensitive, poignant and yet contextually appropriate depiction of mental health issues. Coal mining is such a fundamental part of the North East heritage that it is often romanticised in novels of this kind, but Glenda wasn’t afraid to shy away from this by depicting the harsh reality which accompanied this profession for probably the majority of those who experienced it. The account of Michael’s first day down the pit, and the subsequent impact which it continued to have on him, was so moving that I wanted to jump right into the pages to give him a huge hug and tell him that everything would be alright. Similarly, Mary’s experience of depression was framed through the context of 1919 Ryhope, wherein the collective understanding of such issues was of course very narrow and the prospect of appropriate treatment for a working class woman was essentially non-existent, but it was written so sensitively that it could easily have been lifted from a contemporary story, or even real life in 2021. Balancing the ignorance and misconceptions of this time period with a need to portray these issues in an empathetic way cannot have been an easy task, but Glenda Young managed it seamlessly with her unique and heartfelt ability to make a reader really ‘feel’ the characters’ journeys.

“Maybe a little bit of madness runs in us all. The trick is not to let it overwhelm us.”

Of course, it wouldn’t be a Glenda Young saga novel without our headstrong heroine having hurdles metaphorically thrown at her every few chapters, but, (without spoiling any twists for anyone who hasn’t read this book yet), I was really struck by the potential conflict and betrayal between Ruby and one of her closest friends. The feminist overtones of Glenda’s previous saga novels (and indeed this one) have always been so fierce that it was an intriguing change to come across conflict between some of our hardy, independent Ryhope lasses. Again, one of the things I love so much about Glenda Young’s sagas is that, although the attention to historical detail is so meticulous that you can almost smell the coal dust emanating from the pages, the plot elements are always so universally human that the reader feels as though the characters are people from our own lives.

“Whatever happens, we’ll get through it. We’re Dinsdale women, we’re strong.”

It was also an interesting change of pace to have a romantic lead who, quite frankly, made my skin crawl; and also that of the majority of the other characters except our protagonist. Again, I never like to spoil plot twists for anyone who hasn’t read the book yet, but fear not, our latest heroine isn’t fooled for long – Glenda’s team of fearless females never are ones to be fooled twice, they’re far too intuitive and headstrong for that. Although that scene with the bath tub will live rent-free in my mind for a while; I heard inklings about that particular moment a while ago from Glenda’s twitter and all I will say is that it did not disappoint! Fear not, confused reader, you will know when you get to it!

So, we’re six stories deep into Glenda Young’s Ryhope saga novels, but rest assured, things are far from getting boring. In fact, it seems as though every time she graces us with another exciting installment, I find myself feeling less satisfied and only hungrier for more drama and heartache; so once again I cannot wait to see what she comes up with next. And I’m still waiting for her to announce a spin-off wherein all of her strong Ryhope heroines unite like ‘The Avengers’ in some epic finale to this enthralling collection of novels.

Blog Tour – The Shipyard Girls on the Home Front

“The next few months would decide the fate of the war – and thereby, the fate of humanity.”

The feeling of being at the tipping point of a totally unprecedented moment in history, where the efforts made not just by those on the front lines but by all of us at home too, could essentially make or break whether the hardship will end successfully or continue for goodness only knows how long; is something which will resonate with anyone who reads the tenth installment of ‘The Shipyard Girls’ in real time of its release. Life often has a funny way of imitating art, and although I would like to think our world leaders are all ‘Shipyard Girls’ enthusiasts too, it’s probably more likely that this is a happy coincidence; or Nancy Revell has a crystal ball. Every book in this series has a multitude of themes and sub-plots, but the overarching theme within ‘On The Home Front’ is sacrifice, which, reading whilst I’m sat at home, having not seen family or friends in months, wearing a mask just to step outside of my front door and wondering if my hair will ever be a normal length again; felt quite poignant. Surely if our old friends from Thompson’s Shipyard are still putting the graft in, day in day out and in all weather conditions to do their bit in the fight against global fascism, often without any hope or assurance that it will end successfully, if at all, then we can do our bit on our ‘home front’ against the pandemic; by staying snuggled up indoors with a good book. As inspiring as our Shipyard Girls are, I know which ‘home front’ I’d rather be on – so thanks for giving us another great story to make that a bit easier, Nancy.

So, we’re ten books in and are still getting to know new characters; which must be quite the juggling act for Nancy Revell. I often imagine she must have an entire wall in her house covered in photos of all the different characters, with string and notes pinned in between which join and inter-connect their stories; like the briefing room on a really good police drama. Having said that, to anyone who is new to this saga, don’t let that put you off starting it. I’m a stickler for reading sagas in the correct order, but the characters in this series are created and written with so much love and detail that I do firmly believe a reader could pick up any ‘Shipyard Girls’ book and become fully immersed in the story straight away. Their rich back stories and carefully orchestrated interactions with one other allow the characters to tell more of their story in a few short lines than any summary or spoiler ever could; so even though Bobby is somewhat of a fresh face (aside from being referenced third hand by other characters previously), as always it only took a couple of pages for him to become part of the furniture.

I must admit, I wasn’t initially sure whether I really liked Bobby, but as Nancy Revell drip fed me more and more of his feelings and perceptions around significant events which us familiar ‘Shipyard Girls’ readers already knew inside out, it definitely made me look at Gloria’s long since buried back-story from another angle. Despite being a bit frustrating for the reader who has become a bit spoiled by happy endings in this saga, Bobby’s reaction to Gloria’s story was told very bravely and sensitively. Within my day job I work with a lot of people who have had similar experiences to Gloria and her boys, and as lovely as it would have been to have a rosy family reunion where all past evils are forgotten and made right by the promise of a better future, in reality the process of moving past something like that is usually quite messy and fraught with even more conflict and resentment. It would have been easy for the author to put a wholesome glow over this whole sub-plot, but she bravely gave a more ‘warts and all’ interpretation, which I’m sure will resonate with many people who may read it.

“‘Love!’ Dorothy put both hands on her chest. ‘There is to be a lot of love this year! I can feel it in my bones.'”

Of course, this being a ‘Shipyard Girls’ book, the path to true love, in whichever form that takes, continues to be anything but straightforward. We may now only be two more books away from the finale, but that evidently doesn’t mean the drama is going to slow down. I am usually a binge-reader of this series, but ‘On The Home Front’ was the first instalment I’ve read which I had to put down for my own well being. Granted, I am significantly more hormonal than usual these days, but the rollercoaster of emotions within the whole D-Day chapter did get a bit too much, especially after Rosie and Gloria’s brief interaction at the bar where they simply admitted to not being alright; which served as a moving reminder that the joyous success of D-Day, and the war itself, didn’t come without sacrifice. The statistics of fatalities throughout the War are something which can never really resonate for those who read them; numbers on a page are just that, but it’s the thoughtful re-telling of these personal stories, despite being fictional, which preserve the personal struggles felt by so many people throughout those tremendously difficult years.

Speaking of binge-reading, I did also commit a cardinal reading sin when I was about two thirds of the way through ‘On The Home Front’. My baffled husband looked out of the corner of his eye to me frantically thumbing through the pages ahead with a determined look and asked what on Earth I was doing; to which my response was something like “I need to know if he’s alright after this, I need to know what I’m getting into before I continue!” To which he said “can’t you just read it?”. Of course I could have simply read the book at a normal rate, but I felt the need to emotionally prepare. Once I found the reassurance I needed, I snuggled back down into the duvet and continued happily. Until the next evening. Being a ‘Shipyard Girls’ book, of course there are still plot twists at every turn; and so the smugness I felt at having spoiled some perfectly good tension building for myself by skipping ahead for reassurance, was quickly wiped away when Nancy Revell threw another unexpected twist at me. I certainly deserved it, but I was furious. I don’t mean to speak (or write) in riddles, but I don’t like to spoil these things for anyone who hasn’t already read this, however if I simply mention the foreshadowing of the aeroplane having done this journey umpteen times without issue, anyone who has read it will know what I mean. It was with the same smugness that they said the Titanic was unsinkable; so I really should’ve seen that one coming.

Still, if we’re ten books in and I’m still finding the plots to be unpredictable, then this is absolutely not a bad thing. Just, maddeningly frustrating at times – but I wouldn’t have it any other way, and I’m sure all you other ‘Shipyard Girls’ enthusiasts would agree!

Blog Tour – The Paper Mill Girl

“If she wanted to protect her family, she had to make an impossible choice.”

A young girl living in an already difficult situation is faced with an even bigger challenge and must find strength she didn’t know she had to overcome said challenge; then ultimately comes out on top and with her dream man in tow? Saga readers like myself do like to think we have it all worked out, don’t we? But, as with its equally exciting predecessors, Glenda Young has once again blown all of those pre-conceived assumptions out of our minds like a gale swirling around the pier of Hendon Beach with her latest novel ‘The Paper Mill Girl’, and its fiercely independent heroine Ruth Hardy.

That said, Ruth’s mission to navigate almost Dickensian conditions which just seem to get periodically harder as more and more obstacles present themselves, with no real hope or guarantee of when things will get better made for an incredibly humbling read. Of course I don’t mean to say that ‘The Paper Mill Girl’ is depressing and will leave you feeling like this poor girl could never catch a break in life, but her inspiring story just became that bit more thought provoking through reading it in a time when we really don’t know when we’ll be coming out of the horrible situation that we’ve all found ourselves in for the past year; and yet all we seem to do is complain and dwell on the awful sides of it, whilst the Ruth Hardys of the world are simply putting on their tattered old boots, lifting their skirts and putting one foot in front of the other with no solid hope or reassurance that things will get better. In a nutshell – I felt a bit crap reading about her incredible and inspiring story on a Saturday afternoon in my warm house whilst feeling bitter about how long it’s been since I could go shopping and get an overpriced latte from a coffee chain.

“You’re an angel, Ruth Hardy. You know that? You care for everyone else and take nothing for yourself. I don’t know how you do it.”

Obviously Ruth’s story is fictional, but no doubt inspired by the real tales of so many women from a time period which is largely overlooked by the history books, and as with all of Glenda Young’s stories, was so well researched that it wouldn’t surprise me in the slightest if it turned out there really had been a real life woman who had this, or an extremely similar story to tell. I actually grew up near the old Hendon Paper Mill, and went to school just around the corner from where it stood, but am embarrassed to admit that I had to have a little google of where it actually stood and how long it had been in operation. I was aware of it to an extent, but unlike Sunderland’s more dominant industries like the mines and shipyards, the paper mill has largely been lost to the history books like a battered old toy forgotten at the back of a cupboard. That is, until Glenda Young obviously came along, realised the potential for so many amazing stories which have been sitting in the back of a metaphorical cupboard and breathed new life into this largely forgotten part of our Mackem history. (Google that phrase if you’re not from the North East).

Of course it wouldn’t be a saga novel without some romance weaved in between Ruth’s overarching endeavours, but once again Glenda Young has left the ‘know it all’ saga readers such as myself perplexed, intrigued and sometimes a bit angry through the twists and turns in Ruth’s relationship with the charming but, at times somewhat disappointing, Mick Carson. I really try not to spoil the plot for anyone in these reviews, but I must say I was bloomin’ furious when he started being a bit of a, well, a bit of a bloke really! Fictional leading men aren’t supposed to be useless – we have real life men to provide us with disappointment and we read books to escape and dream about men who don’t sometimes say the wrong thing or get intimidated by our fearlessness and let us down.

“Love seemed to have a nasty way of making itself felt in hurt and despair.”

But, I’ve said before how I love Glenda Young’s stories in particular because they don’t follow the typical reassuring plot themes of some other historical saga novels; and the relationship between Ruth and Mick definitely kept me on my toes as I turned the pages and had genuinely no idea as to how it was going to pan out. Again, as with all of Glenda Young’s wonderful novels however, it was apparent throughout ‘The Paper Mill Girl’ that she really knew Ruth inside out, and so graced her readership with the ending that she and the other characters deserved, without falling into the trap of being a sickeningly perfect romantic reconciliation which we all saw coming from chapter one. I have no doubt that it would’ve been easier to write a consistently perfect romantic hero, but as many of us know that’s very rarely how it goes in real life. The perfectly imperfect, human nature of Glenda Young’s characters are what keeps her readership hooked, and we come back time and time again as we know she will always take us on a journey through unexpected twists and turns which challenge both our beloved characters and our assumptions; always leading to a surprising yet perfectly fitting and thought provoking ending. After all, the path to true love never did run smooth did it?

Blog Tour – A Christmas Wish for the Shipyard Girls

It’s a testament to Nancy Revell’s wonderful writing that I am sitting in my garden having just finished her latest triumph, sweating in twenty-plus degree heat, with sunglasses on and sipping a pink lemonade (partying hard); yet all I want to do is put on a cosy jumper, dig out the Christmas DVD’s, and am convinced that I can smell pine needles and cinnamon. Plus, I can’t get ‘Good King Wenceslas’ out of my head. Disclaimer – sorry to ruin the magic, but I generally write ‘blog tour’ posts ahead of time, so by the time this is uploaded it’s highly likely that sunny afternoons in the garden will be a distant memory. Sincere apologies if this bursts any kind of bubble for anyone. Anyway, back to the festive celebrations with the feisty females from my favourite saga.

“Secrets could be buried, but it was inevitable that they would be dug up. It was always just a matter of time. And when they were, she wondered how forgiving the women would be.”

The intricate back-stories beneath every character within the SYG saga is something I’ve definitely touched on before, and is one of the many things which sets this series apart from others of its genre. I had always naively thought that this was simply a by-product of Nancy Revell’s captivating storytelling ability, and a means of drawing the reader further into each character’s personal story. However, ‘A Christmas Wish’ is the bridge which we loyal SYG readers had no idea we were waiting for; after eight instalments of really enjoying getting to know our characters and their personal stories, book nine has just smacked us in the face with realisation. It was all connected! Who knew? I was too busy getting a bit too emotionally involved in the overall story-line and character development to really consider where all of these back-stories and sub-plots were going. Move over, ‘Love Actually’, there’s a new feel-good, festive story with plot twists and character overlaps popping up at every page turn.

The great thing about a longer saga, aside from the intertwining plots, is that the writer has free reign to really develop the characters. I’ve said before how I couldn’t quite believe I was reaching a point where I was beginning to not quite hate Helen’s character, but at this stage I’m now actively rooting for her. I’ve always thought she gives off a bit of a Regina George vibe – vindictive and ruthless whilst at the same time beautiful and fabulous, but I’m relieved to see she is now using her powers for good; and watching her take down Mr Royce in an ongoing battle of wits in this instalment absolutely radiated the “yesssss queen!” feminist mood which the SYG saga is all about. Every time she asks Bel to get into her fabulous car, I’m half expecting her to say ‘get in loser, we’re smashing the patriarchy’. Side note – if you don’t understand ‘Mean Girls’ references, I can only assume this is your first time using the internet ever, in which case, thank you for using it to read my blog.

“‘The thing is,’ Helen said, ‘he would never have said that to my father – or my grandfather, or any other yard manager, for that matter. So why should we be any different? Just because we’re women?”

Speaking of Bel, I also thoroughly enjoyed getting to know her a bit more in this instalment. Again, the benefit of having a longer saga allows the author to give sufficient time and attention to each of the principal characters. My favourite ‘shipyard girl’ changes with each book I read, depending on who is in the spotlight at a given moment; so it was nice to spend a bit more time with Bel this time (she says, as if these women are her real-life friends). Bel’s heartache as she patiently waits to have her wish granted is addressed so sensitively, but at the same time isn’t glossed over, pussyfooted around or minimised which I really loved; this will resonate so much with a lot of women, and was a brave topic to address. The conversation between her and Helen, where Helen struggles to find the ‘right’ thing to say about it is so spot on in capturing the awkwardness of maneuvering ‘that’ question and is something which can be related to by women, and indeed men, from all eras and walks of life. That particular interaction drew me to tears, and on a personal level, I wanted to scan it and frame it to keep as a point of reference for when ‘those’ conversations arise in my own life.

As always, there are so many more things I could list which I loved about this instalment, but we really would be here all day and I don’t want to spoil it too much for those who are yet to read it. All I will say is that the usual warm fuzzy feeling of having caught up with my old, familiar friends was made all the more warmer and fuzzier by it being a festive edition. The chapter where everyone is singing ‘Good King Wenceslas’ in the snow with the Salvation Army band had the smell of chestnuts and Christmas trees wafting from the pages. Inevitably, this being a ‘Shipyard Girls’ story and all, Nancy Revell has once again cruelly finished the story on another unbearable cliffhanger which has me counting down the days until book ten reaches the shelves and can hopefully provide some relief. But until then, I’m off to binge-watch some TV Christmas specials and bulk buy cinnamon scented candles…

First on the blog tour – eek! Follow @arevellwalton and @arrowpublishing on Twitter to stay tuned for some less ridiculous takes on this wonderful book!

Lockdown Library Part One – The Bobby Girls

It’s all gone a bit horrible, really, hasn’t it? I vividly remember saying to a colleague before Christmas how I wished I could have just a few paid weeks off work to relax, joking that I would love maternity leave without the maternity element of it. With hindsight, the phrase ‘be careful what you wish for’ comes to mind. Being stuck in the house with nothing but time to kill is every writer’s (and reader’s) dream, but every time I’ve thought about putting pen to paper (or fingertips to laptop), I’ve never been too sure what to say. I don’t really know how I feel about it all; that seems to change on an hourly basis, and social media is littered with people being criticised for enjoying lockdown when other people are struggling, and others being criticised for being too negative and not appreciating what they have, so I’ve been too chicken to say anything at all on the subject. So, I cannot profess to be an expert on how best to deal with lockdown, because my strategy of binge watching ‘Call the Midwife’ and ‘Tiger King’ (eclectic taste, I know) and baking endless sugar filled goodies has led only to weight gain and insomnia. The only thing I feel I can offer, is to continue reviewing books which are currently helping me to pass the time, so, in the spirit of ‘keep calm and carry on’, I reasoned that I should continue doing what I do best – getting excited about books.

We all know that I love a good saga, so when the Kindle store recommended ‘The Bobby Girls’ to me, I had high hopes. Hopes which Johanna Bell’s excellent writing and endearing characters definitely exceeded. Having worked closely with various police forces within many of my ‘day jobs’, female police officers are something which I, like most people today, take completely for granted. However, despite having an interest in women’s history, I’m ashamed to admit that I had a fairly limited understanding of how female police officers came to exist. I did an entire module on the history of policing at university, and I don’t think female officers got one mention; clearly I was too busy stacking shelves on the weekends to fund weeknight pub crawls across the college bars to take the time to question that.

So, ‘The Bobby Girls’ follows three women from vastly different backgrounds who all sign up to be part of the ‘Women Police Volunteers’ (WPV) during the First World War. I had never actually heard of this volunteer scheme before, so it was certainly interesting to learn about from a historical point of view, but mostly just exciting to tag along with three fiercely empowered women as they protect London’s streets from dangerous criminals and help their fellow sisters wherever they can, all out of the goodness of their hearts, despite constant discrimination from men and the prospect of them having the right to vote seeming even further away than the complete end of lockdown restrictions.

“‘How has the WPV changed you?’ She asked her instead. Irene looked thoughtful. ‘I’ve realised that people from all walks of life can be friends,’ she said. ‘And that I can achieve anything I put my mind to.'”

Although this saga follows four main recruits of the WPV, this instalment focused mainly on the slightly naive, upper class Maggie (or Posh Spice, as I think could be an appropriate alter ego), and her story of discovering her own strength, as well as learning more than she bargained for about a world which her parents had kept her sheltered from. Although she has quite the personal journey in this one, I finished the book with a niggling feeling that her story is really only just beginning; and am definitely looking forward to seeing where her newfound strength and confidence takes her, as well as learning more about her empowered comrades and where their WPV experience will take them. Maggie, Annie and Irene’s binding friendship and fearlessness had me wanting to stand up and belt out ‘Sisters are Doin’ it For Themselves’, but for the sake of my poor neighbours, I didn’t. Plus, I couldn’t put the book down for long enough to actually do that, for fear of missing out on their next exciting escapade. Although, the second instalment is out in May, so it is always nice to leave something for next time.

“‘As I’ve always said, if you want a job doing properly then you should ask a woman to do it,’ she added, her eyes twinkling mischievously.”