Recent Reading Roundup – December

The Girl Who Came Home – Hazel Gaynor


I discovered Hazel Gaynor a while ago and absolutely devoured ‘The Lighthouse Keepers Daughter’, but somehow never got around to reading any of her other work until now. Titanic is one of those events which has been told and re-told so many times, especially in the historical fiction/saga genre that it is hard to make it fresh. However, as with ‘The Lighthouse Keeper’s Daughter’, Hazel Gaynor has a really unique ability to take factual events and sensitively intertwine fictious plots which breathe fresh life and emotion into already familiar stories, rendering them like an entirely new plot to even the most well-read historian. The story of the Addergoole Fourteen is one I’d strangely never come across despite (like everyone) having seen umpteen films, documentaries and novels about Titanic; and again Hazel Gaynor strikes the almost impossible balance between respecting the real-life characters’ personal journeys and adding her own creative flair to fill in the blanks which history has left and enrich their stories for the reader. I will certainly be making my way through more of her back catalogue when time allows!

Suffragette Girl – Margaret Dickinson


Obviously I love historical sagas and all things feminism, so there was no way I could have walked past this when I saw it in my local library. I will admit that I was initially taken aback by the prologue taking place in the 1930’s, and a bit confused as to how it could possibly link to pre-WW1 suffrage, but the plot was so multi-faceted that, before I knew it, I was following the characters into the 1920s and still wanting to know more about where their journey would take me. I did find the pacing a little bit fast for my taste, but this didn’t occur at the expense of any individual character development, I just would’ve enjoyed delving deeper into the shorter term milestones of the characters’ lives rather than skipping to bigger events which take place many years apart. That said, I do think this story had enough layers to it that it could have been a two, or potentially even three, part saga as it has definitely left me wanting more – which I suppose is the mark of any great story!

Skipping Christmas – John Grisham


On the hunt for some more specifically festive reads which don’t include a single woman finding love where she least expects it in a country village over Christmas after having her heart broken in the big city, and as a fan of ‘Christmas with the Kranks’, I was very much looking forward to this. As a footnote to that last point, there’s nothing at all wrong with chick-lit, I love chick-lit, I just don’t personally love Christmas chick-lit. I find good, standalone, Christmas stories quite difficult to find if I’m honest – Dickens really has the market on that one doesn’t he? Anyway, I did the strange and taboo thing of reading the book version after being familiar with the film, but in my defence it was only recently that I was made aware that this story was a book first. I was a little bit disappointed that some scenes and even dialogue were word for word the same as the film version, but then again I complain if “film versions” differ even slightly from books I’ve enjoyed so I suppose there was no winning either way in this scenario. I did however really enjoy the difference in Nora and Luther Krank from the “film version”. If I’m honest, the book makes a little bit more sense and the plot is more believable than the film – Nora in the film never seemed very sold by the whole scheme and I never quite understood why she got on board in the first place, but I found the Kranks’ literary counterparts much more united and a little bit more likeable in that sense; I was really rooting for them to have their Christmas-free holiday whereas in the film I always find the portrayal much closer to the stereotypical “grinch” dad and overly festive, motherly housewife. A testament to why the “book version” is literally always better.

Recent Reading Roundup

Having taken a somewhat unplanned maternity leave from blogging, the pressure around what my first post in about 6 months should be about has felt pretty intense. As with many other difficult periods in life, reading is the only thing which has kept me somewhat sane over the past few months, and mastering the art of holding a paperback in one hand with my napping baby balanced on the opposite arm was a total game-changer. So, having binge-read my way through at least half of my local library’s stock, I started to get a backlog of books I wanted to rave about; but every time I started to get into something approaching a normal routine, my baby would hit another milestone and send everything haywire. If you know, you KNOW. To ease myself and my sleep-deprived brain back into blogging, the easiest thing seemed to be to bullet point the highlights of my recent reads, although being concise is not one of my strongest qualities, as anyone who follows this blog will know; so I will try my best to keep it snappy.

Letters On Motherhood – Giovanna Fletcher. I love everything Giovanna Fletcher does, from her You Tube to her podcast, fiction and non-fiction I devour it all, and two weeks after becoming a mother myself, this seemed like the perfect read. But, if you want my brutally honest opinion? It was lovely to read in the newborn bubble; full of heartfelt and emotive reflections on past moments of motherhood and those yet to come, I was cradling my bundle of joy and planning all the sentimental letters I would write to him about this wonderful time together. However, just after I began this read, my partner went back to work and the reality of colic, reflux, eczema and sleep regression set in. In a nutshell – can be enjoyed by anyone not currently experiencing what my perinatal mental health worker calls “the fog” (sometimes also aptly referred to as “the storm” by other professionals). I’d recommend this whilst in the newborn bubble or once one’s child(ren) are pretty much self sufficient, but whilst riding the storm, to be honest, it’s as fluffy as an NCT course or a Fairy washing powder advert and overly romanticised the utter hell of those early days in the same way the concept of “the blitz spirit” must infuriate anyone who actually lived through that nightmare. Sorry Giovanna! (In her defence, I found “Happy Mum, Happy Baby” much more realistic and relatable).

The Midnight Library and How to Stop Time – Matt Haig. My edgy, former teenage self is reeling that I chose a book based on its currently high level of commercial popularity, but sometimes there is a good reason as to why things are popular. I am not usually one for reading books with abstract or magical elements, they’re often a bit too wishy washy for me, but both of these concepts were too intriguing not to explore. I loved the honest and unfiltered depictions of mental health in ‘The Midnight Library’, and wondering what might have been is such a fundamentally human element of everyone’s psyche that we can all relate to Nora’s journey, but Matt Haig manages to balance out the darker themes with a wonderfully optimistic ending which I’m still reflecting on a couple of months later. I then read ‘How to Stop Time’ off the back of how much I enjoyed The Midnight Library and again was intrigued by the concept. I love a historical fiction novel, obviously, but seeing a character experience so many different contexts within one journey is such a unique way of framing this, and raised the age old question of nature v nurture – who would any of us be if we lived in different time periods and cultures? Are we universally ourselves or products of our environment? Again, it’s been two months and I still don’t know.

The Munitions Girls series – Rosie Archer. Again, we know I love a historical saga, and this was one I hadn’t got round to reading yet, even though I have enjoyed a lot of her standalone novels. I was surprised to learn that this series was only in four parts, since the amount of different characters which Rosie Archer juggles throughout the plots is crazy, and yet is still able to provide enough rich detail to ensure the reader is fully invested in each character’s personal journey. The plot moved very fast, and it’s impressive how far she was able to take each character’s journey in just four installments, but it never felt rushed or skimmed over at any point, nor were any of the more rich or emotive aspects of the plots spared. That must have been a really difficult balance for the author to strike, but I’d absolutely recommend this series for any saga lover wanting a quick and exciting binge without sacrificing the depth of plot, emotive themes and character development.

Christmas with the Bobby Girls – Johanna Bell. I have followed this series since it first came out, but I somehow got waylaid in pursuing it. When my local library received its first copy of this book, of course I was at the top of the waiting list (also the thrill of being the first person to check out a book was one I didn’t know I needed). I do love that this saga seems to shift focus between different primary characters in each installment, so although the overall passage of contextual time in the story isn’t particularly rapid, the reader’s interest is still gripped by the stark differences in the characters’ lives and journeys as they intertwine with one another. I definitely need to read the most recent installment of this saga, and will be doing so as soon as my baby allows me to have more than 1 hour of sleep in a twenty four hour period!

Blog Tour – The Shipyard Girls on the Home Front

“The next few months would decide the fate of the war – and thereby, the fate of humanity.”

The feeling of being at the tipping point of a totally unprecedented moment in history, where the efforts made not just by those on the front lines but by all of us at home too, could essentially make or break whether the hardship will end successfully or continue for goodness only knows how long; is something which will resonate with anyone who reads the tenth installment of ‘The Shipyard Girls’ in real time of its release. Life often has a funny way of imitating art, and although I would like to think our world leaders are all ‘Shipyard Girls’ enthusiasts too, it’s probably more likely that this is a happy coincidence; or Nancy Revell has a crystal ball. Every book in this series has a multitude of themes and sub-plots, but the overarching theme within ‘On The Home Front’ is sacrifice, which, reading whilst I’m sat at home, having not seen family or friends in months, wearing a mask just to step outside of my front door and wondering if my hair will ever be a normal length again; felt quite poignant. Surely if our old friends from Thompson’s Shipyard are still putting the graft in, day in day out and in all weather conditions to do their bit in the fight against global fascism, often without any hope or assurance that it will end successfully, if at all, then we can do our bit on our ‘home front’ against the pandemic; by staying snuggled up indoors with a good book. As inspiring as our Shipyard Girls are, I know which ‘home front’ I’d rather be on – so thanks for giving us another great story to make that a bit easier, Nancy.

So, we’re ten books in and are still getting to know new characters; which must be quite the juggling act for Nancy Revell. I often imagine she must have an entire wall in her house covered in photos of all the different characters, with string and notes pinned in between which join and inter-connect their stories; like the briefing room on a really good police drama. Having said that, to anyone who is new to this saga, don’t let that put you off starting it. I’m a stickler for reading sagas in the correct order, but the characters in this series are created and written with so much love and detail that I do firmly believe a reader could pick up any ‘Shipyard Girls’ book and become fully immersed in the story straight away. Their rich back stories and carefully orchestrated interactions with one other allow the characters to tell more of their story in a few short lines than any summary or spoiler ever could; so even though Bobby is somewhat of a fresh face (aside from being referenced third hand by other characters previously), as always it only took a couple of pages for him to become part of the furniture.

I must admit, I wasn’t initially sure whether I really liked Bobby, but as Nancy Revell drip fed me more and more of his feelings and perceptions around significant events which us familiar ‘Shipyard Girls’ readers already knew inside out, it definitely made me look at Gloria’s long since buried back-story from another angle. Despite being a bit frustrating for the reader who has become a bit spoiled by happy endings in this saga, Bobby’s reaction to Gloria’s story was told very bravely and sensitively. Within my day job I work with a lot of people who have had similar experiences to Gloria and her boys, and as lovely as it would have been to have a rosy family reunion where all past evils are forgotten and made right by the promise of a better future, in reality the process of moving past something like that is usually quite messy and fraught with even more conflict and resentment. It would have been easy for the author to put a wholesome glow over this whole sub-plot, but she bravely gave a more ‘warts and all’ interpretation, which I’m sure will resonate with many people who may read it.

“‘Love!’ Dorothy put both hands on her chest. ‘There is to be a lot of love this year! I can feel it in my bones.'”

Of course, this being a ‘Shipyard Girls’ book, the path to true love, in whichever form that takes, continues to be anything but straightforward. We may now only be two more books away from the finale, but that evidently doesn’t mean the drama is going to slow down. I am usually a binge-reader of this series, but ‘On The Home Front’ was the first instalment I’ve read which I had to put down for my own well being. Granted, I am significantly more hormonal than usual these days, but the rollercoaster of emotions within the whole D-Day chapter did get a bit too much, especially after Rosie and Gloria’s brief interaction at the bar where they simply admitted to not being alright; which served as a moving reminder that the joyous success of D-Day, and the war itself, didn’t come without sacrifice. The statistics of fatalities throughout the War are something which can never really resonate for those who read them; numbers on a page are just that, but it’s the thoughtful re-telling of these personal stories, despite being fictional, which preserve the personal struggles felt by so many people throughout those tremendously difficult years.

Speaking of binge-reading, I did also commit a cardinal reading sin when I was about two thirds of the way through ‘On The Home Front’. My baffled husband looked out of the corner of his eye to me frantically thumbing through the pages ahead with a determined look and asked what on Earth I was doing; to which my response was something like “I need to know if he’s alright after this, I need to know what I’m getting into before I continue!” To which he said “can’t you just read it?”. Of course I could have simply read the book at a normal rate, but I felt the need to emotionally prepare. Once I found the reassurance I needed, I snuggled back down into the duvet and continued happily. Until the next evening. Being a ‘Shipyard Girls’ book, of course there are still plot twists at every turn; and so the smugness I felt at having spoiled some perfectly good tension building for myself by skipping ahead for reassurance, was quickly wiped away when Nancy Revell threw another unexpected twist at me. I certainly deserved it, but I was furious. I don’t mean to speak (or write) in riddles, but I don’t like to spoil these things for anyone who hasn’t already read this, however if I simply mention the foreshadowing of the aeroplane having done this journey umpteen times without issue, anyone who has read it will know what I mean. It was with the same smugness that they said the Titanic was unsinkable; so I really should’ve seen that one coming.

Still, if we’re ten books in and I’m still finding the plots to be unpredictable, then this is absolutely not a bad thing. Just, maddeningly frustrating at times – but I wouldn’t have it any other way, and I’m sure all you other ‘Shipyard Girls’ enthusiasts would agree!

Blog Tour – ‘A Christmas Wedding’

As with the popular groups in secondary school, ‘The Liberty Girls’ is a series which I have admired from afar for a while now, but never actually been included in. Of course, the difference with literary girl squads is that you only have to purchase (or loan, in a simpler time when libraries were open), a copy to welcomed into their inner circle with open arms. If only everything in life were this simple. Anyway, so there I was, thrilled to have been invited to metaphorically sit at the popular girls’ table, but simultaneously nervous about being the last person to arrive at the party. I’m a stickler for being methodical, so the idea of starting a new saga in the final instalment simply wasn’t sitting well with me. However, it’s a testament to Fiona Ford’s writing that, within a couple of chapters, all my anxieties had been alleviated and I felt like I’d been one of the gang the whole time. If anything, it might have made the story even more enjoyable, as the troublesome thing with sagas is that sometimes, when you’ve read all of the previous instalments, you become so familiar with the characters that you’re able to predict their next move, which can take away some of the suspense. In this case however, I had no pre-conceived ideas about any of the characters or where the story was likely to take me next, so every twist and turn of the plot was that bit more intriguing and kept me from being able to stop reading.

Taking place between London and Devon, ‘A Christmas Wedding’ takes the feisty and fearless ‘Liberty Girls’ on ever-twisting and yet intertwined journeys as their saga comes to an emotional conclusion. My anxieties about having not read the previous instalments of this saga were alleviated even more through the introduction of new recruit Brenda, who has an intriguing yet closely-guarded past. I was able to break into the already tight-knit cluster of main characters and familiarise myself with their rich histories through her induction into the group. As with any great saga or even standalone story, the fiercely independent ‘Liberty Girls’ share unbreakable bonds which are felt by the reader immediately, and are no doubt a result of a complex history of collective tears, laughter and perseverance; all of which is hinted towards throughout, which has left me wanting to back-track and find out more about the events which led to this nail-biting finale.

“Everyone knows it’s women what really run things, but whether menfolk’ll feel the same way whenever they come home once this blasted war is over is another matter.”

This may be an unpopular opinion, and I sincerely hope it doesn’t cause any offence or unrest among existing ‘Liberty Girls’ readers, but I must admit that it took me a while to really understand Dot’s character and her appeal. As a brusque woman myself, I should have immediately related to her character and mannerisms, but I did struggle at first to comprehend why the girls were so accepting of her somewhat harsh nature; especially in some of her behaviours towards Peter and Brenda. However, as the story progressed and more secrets were revealed about her past, I definitely warmed to her and was eventually rooting for Dot, who seems to be the fierce, mama-bear type in the group.

Something was wrong, and no matter how it distracted her from her own happiness, if one of her Liberty family was in trouble, Dot was determined to find out why.”

Dot’s relationship with Ivy and Helen in particular invoked feelings which are as warm and fuzzy as the festive final chapter, and had me misty eyed as their tragedies unfolded, yet were overcome with triumphant courage and their unbridled love and support for each other.

“She knew they could marry in a tin hut and their wedding would still be special as long as they were surrounded by so much love.”

So, with my heart sufficiently warmed and my nose phantom-smelling the aromas of pine needles and Christmas pudding, I definitely feel suitably festive now, irrespective of what a 2020 Christmas may end up looking like, and am off to make a start on my list for Santa…which definitely has the rest of the ‘Liberty Girls’ saga at the top!

Review – ‘Above Us, the Stars’

Having grandparents or other twice-removed relations who served in the War is, for ignorant Millennials such as myself, so mundane and commonplace that it is pretty much never discussed. Reading ‘Above Us, the Stars’, recently prompted me to ask my husband what his grandparents did during the War. I’ve known this man for eleven years now, and I think this is quite possibly the only thing I don’t know about him or his family, because I’d simply never thought to ask about such a run-of-the-mill topic. Having had my historical interests tickled from reading AUTS, I waited for his response with an intrigued sense of anticipation, thinking I was about to hear some heroic anecdote which had been passed down through the generations of a family which I am now part of. However, the response which followed was somewhat of a disappointment, specifically: “f*ck knows, I know my granddad went to war though”, as we continued walking the dog and the conversation quickly moved on to what we fancied for tea. ‘Went to war’. That is the legacy of a man who most likely risked life and limb, to say nothing of his emotional and mental well-being, and entered literal mortal danger to protect his family, his country and future generations; for his whole story to be entirely forgotten within just two generations of his own offspring. Not even a glimmer of recognition as to whether he was in the Army, Navy, RAF or God knows what other role? I know it’s exceptionally difficult to talk about heroes of the Second World War without someone popping up and going ‘okay, boomer’, and much as it pains my pacifist, hippy, Millennial self to admit it, my God, we are a generation characterised by completely unapologetic ignorance.

But yes, back to the writing. As with her previous book ‘The Horsekeeper’s Daughter’ (which is also absolutely worth a read), ‘Above Us, the Stars’ takes the form of Jane Gulliford Lowes’ weird hybrid genre of non-fiction and fiction in that it reads like a fictional story but is littered with real-life accounts and factual information which helps to put the story in context and bring the characters to life. It feels a bit wrong to refer to the people in this story as ‘characters’, not least of which because (as an evening spent on Ancestry confirmed), Jack Clyde is my first cousin twice removed; thus nullifying my lifelong gripe that ‘no Clyde ever did anything remotely interesting’. As I was reading AUTS one night, my husband leaned across and uttered the question “why are you reading a book about the army? That’s not your usual tipple”, as I was squinting to focus intently on one of the more tech-y extracts which explained the types of aircraft Jack and his squadron were using and what everyone’s role was on board. I mean, I don’t even know where to start with how ridiculous that question was (disclaimer – I do love my husband, and the purpose of this post is not just to slag him off), but as I’ve said, Jane Gulliford Lowes has once again used her unique storytelling ability to breathe an exciting, fictional feel into one man’s real life story which could otherwise have easily been written off as quite ‘typical’ of his day and therefore uninteresting. Plus, even the photos on the cover make it pretty darn obvious that it’s about the RAF, not the Army, if we are going to start splitting hairs.

So, there I was, night after night, eagerly turning pages to learn more about where Jack and his family’s journey was going to go next. I will confess, I have no self control so after experiencing the anxiety of a couple of the more hairy chapters where I really wasn’t sure how his story was going to unfold, I did skip ahead to check who survives at the end. I would strongly advise against doing that, as it did take away a bit of the thrill of watching the ups and downs of this exciting journey emerge before me, however, it’s a testament to the wonderful writing of this story that I still cried at the end (and on multiple occasions throughout – I’ll never be able to hear ‘The Blaydon Races’ in the same way again). Having said that, I also wouldn’t tar AUTS with the same brush as other wartime sob-story books such as Atonement and the likes, where it’s all a bit over the top and there’s a grieving woman at home crying every night over her lost love, because the emotion of Jack’s story runs far deeper than the typical ‘he’s away from home, missing his family and sweetheart’ cliches, and the most poignant points were that Jack, and all of his mates and colleagues, were just normal young lads who were thrown into a huge responsibility which, ultimately, had them sh*t scared that they might leave in an aircraft one night and literally not come back. Sometimes, there isn’t a need to over-do a story with too many complex layers, and being able to take a fairly ‘typical’ experience shared by millions of others and render it into an emotive and epic story truly is the mark of an exceptional writer.

My own granddad (incidentally Jack Clyde’s first cousin), was born in the same year as Jack and served in the RAF at the same time, but never once spoke about it, that I can remember. I asked my parents about it once, as I think most children do when they study World War Two for the first time in primary school, and being told that he was taken off active duty to be given the grizzly job of going to the crash sites and stripping the uniforms off his dead friends so that they could be washed and re-worn by new recruits was quite grotesque enough for my seven year old self, to the point where it put me off ever asking again. But, I’m embarrassed to say that it wasn’t until I recently spent some time cramped inside a Halifax with Jack and his crew, that I really considered why that might have been the case. So, on a personal level I would just like to thank Jane Gulliford Lowes for breathing life into a story which could easily have been buried between generations like so many others have been, and I don’t think for one second that the only reason I was so moved by Jack’s story is because of the family connection I have; I really think that anyone who turns the pages of ‘Above Us, the Stars’ will have much the same emotional response, and will hopefully consider revisiting the same stories of their own families before they end up lost forever because, if this book is anything to go by, some stories are such that they just need to be told.

Image courtesy of Jane Gulliford Lowes, 2020

Blog Tour – The Girl with the Scarlet Ribbon

A fan of Glenda Young’s sagas already, I opened this latest release with much the same anticipation as I approach a roast dinner made by my Mam’s recipe, or a fluffy Victoria sponge; on the assumption that it was going to follow much the same blueprint as her previous novels, which I knew from past experience would no doubt leave me feeling warm, fuzzy, satisfied and full. Well, perhaps not ‘full’, maybe I’m taking this food metaphor a bit too seriously. But, as with the recipe for a roast dinner or a Victoria sponge which have been tried and tested through generations, if something works and produces a great result every time – why change it? However, clearly not someone to live life in her comfort zone, I hear Glenda Young shouting “challenge accepted” to her readers as she takes us through Jess Davison’s unique and turbulent journey with each turn of a page.

“The truth of her birth, of who she belonged to, was unfolding right in front of her eyes. It seemed that anything was possible now.”

So, as I returned to 1919 Ryhope on the naive assumption that I was going to be enjoying more of the same feisty female heroines overcoming secrets which were resurfacing after being long buried in their pasts, I became my own worst enemy and consistently tried to get one step ahead of the plot. “I know where this is going, she’s built drama in this context before, such and such is definitely going to happen next” I would think, smugly. However, for the first time in my life, I experienced what I presume is the sensation of being wrong (thankfully my husband doesn’t bother reading my blog, so I know this is a safe space for such an admission). Of course, Jess is every bit as feisty and fearless as her predecessors, and yes, naturally she had a lovely happy ending which drew a satisfied tear to my eye, but that’s about where the similarities to Glenda Young’s other saga novels end. Perhaps it was deliberate, in order to throw the reader off the scent, but I was initially convinced that the heroine of the story was going to be Mary, which was of course quickly forgotten when Jess’ courage and determination came storming into the story; and then flabbergasted once again when my prediction about what Mary’s role would be in the ending turned out to be completely off the mark.

Having read quite a lot of saga novels, I really thought I had this plot worked out, but Glenda Young just kept throwing curve-ball after curve-ball, which left me totally unable to put this book down. It also feels important to point out that, even if she had played it safe and kept to a pretty ‘standard’ saga plot with typical twists and a predictable ending, this author’s wonderful storytelling ability would still nonetheless have had readers gripped. But, rolling the dice and serving her readers an ending which definitely leaves food for thought in terms of Mary’s role and her character make-up, was a gamble which absolutely paid off and more. I finished this book a few days ago now, yet I’m still pondering over what my opinion is of Mary; I just can’t make up my mind about her – perhaps there’s scope for a sequel?

Clearly not satisfied with a single dose of feisty heroine in one story, I really enjoyed the author’s creation of Lena. Initially, I thought her character would serve as the unremarkable best friend who helped the plot along by being the leading lady’s confidante, but her personal journey was really heartwarming and inspiring to read, touching on an issue which is rarely given the opportunity to be addressed in novels set in this time period.

“‘Who’s to say what’s normal or odd?’ Lena said. I think a bit of madness runs in us all.”

Similarly, I first had Miss Gilbey written off as the inevitable ‘baddie’, and was skeptical about every move her character made, which just serves as further confirmation that Glenda Young is evidently not putting her feet up and settling into an easy routine of churning out novel after novel which follows the same standard formula. ‘The Girl with the Scarlet Ribbon’ is proof that she can write well outside the box and put unexpected, fresh twists on what can often be a ‘safe’ and ‘samey’ genre. I, for one, am fastening my seatbelt now, in eager anticipation of whatever exciting and unpredictable ride she’s planning to take her readership on next.

Blog Tour – A Christmas Wish for the Shipyard Girls

It’s a testament to Nancy Revell’s wonderful writing that I am sitting in my garden having just finished her latest triumph, sweating in twenty-plus degree heat, with sunglasses on and sipping a pink lemonade (partying hard); yet all I want to do is put on a cosy jumper, dig out the Christmas DVD’s, and am convinced that I can smell pine needles and cinnamon. Plus, I can’t get ‘Good King Wenceslas’ out of my head. Disclaimer – sorry to ruin the magic, but I generally write ‘blog tour’ posts ahead of time, so by the time this is uploaded it’s highly likely that sunny afternoons in the garden will be a distant memory. Sincere apologies if this bursts any kind of bubble for anyone. Anyway, back to the festive celebrations with the feisty females from my favourite saga.

“Secrets could be buried, but it was inevitable that they would be dug up. It was always just a matter of time. And when they were, she wondered how forgiving the women would be.”

The intricate back-stories beneath every character within the SYG saga is something I’ve definitely touched on before, and is one of the many things which sets this series apart from others of its genre. I had always naively thought that this was simply a by-product of Nancy Revell’s captivating storytelling ability, and a means of drawing the reader further into each character’s personal story. However, ‘A Christmas Wish’ is the bridge which we loyal SYG readers had no idea we were waiting for; after eight instalments of really enjoying getting to know our characters and their personal stories, book nine has just smacked us in the face with realisation. It was all connected! Who knew? I was too busy getting a bit too emotionally involved in the overall story-line and character development to really consider where all of these back-stories and sub-plots were going. Move over, ‘Love Actually’, there’s a new feel-good, festive story with plot twists and character overlaps popping up at every page turn.

The great thing about a longer saga, aside from the intertwining plots, is that the writer has free reign to really develop the characters. I’ve said before how I couldn’t quite believe I was reaching a point where I was beginning to not quite hate Helen’s character, but at this stage I’m now actively rooting for her. I’ve always thought she gives off a bit of a Regina George vibe – vindictive and ruthless whilst at the same time beautiful and fabulous, but I’m relieved to see she is now using her powers for good; and watching her take down Mr Royce in an ongoing battle of wits in this instalment absolutely radiated the “yesssss queen!” feminist mood which the SYG saga is all about. Every time she asks Bel to get into her fabulous car, I’m half expecting her to say ‘get in loser, we’re smashing the patriarchy’. Side note – if you don’t understand ‘Mean Girls’ references, I can only assume this is your first time using the internet ever, in which case, thank you for using it to read my blog.

“‘The thing is,’ Helen said, ‘he would never have said that to my father – or my grandfather, or any other yard manager, for that matter. So why should we be any different? Just because we’re women?”

Speaking of Bel, I also thoroughly enjoyed getting to know her a bit more in this instalment. Again, the benefit of having a longer saga allows the author to give sufficient time and attention to each of the principal characters. My favourite ‘shipyard girl’ changes with each book I read, depending on who is in the spotlight at a given moment; so it was nice to spend a bit more time with Bel this time (she says, as if these women are her real-life friends). Bel’s heartache as she patiently waits to have her wish granted is addressed so sensitively, but at the same time isn’t glossed over, pussyfooted around or minimised which I really loved; this will resonate so much with a lot of women, and was a brave topic to address. The conversation between her and Helen, where Helen struggles to find the ‘right’ thing to say about it is so spot on in capturing the awkwardness of maneuvering ‘that’ question and is something which can be related to by women, and indeed men, from all eras and walks of life. That particular interaction drew me to tears, and on a personal level, I wanted to scan it and frame it to keep as a point of reference for when ‘those’ conversations arise in my own life.

As always, there are so many more things I could list which I loved about this instalment, but we really would be here all day and I don’t want to spoil it too much for those who are yet to read it. All I will say is that the usual warm fuzzy feeling of having caught up with my old, familiar friends was made all the more warmer and fuzzier by it being a festive edition. The chapter where everyone is singing ‘Good King Wenceslas’ in the snow with the Salvation Army band had the smell of chestnuts and Christmas trees wafting from the pages. Inevitably, this being a ‘Shipyard Girls’ story and all, Nancy Revell has once again cruelly finished the story on another unbearable cliffhanger which has me counting down the days until book ten reaches the shelves and can hopefully provide some relief. But until then, I’m off to binge-watch some TV Christmas specials and bulk buy cinnamon scented candles…

First on the blog tour – eek! Follow @arevellwalton and @arrowpublishing on Twitter to stay tuned for some less ridiculous takes on this wonderful book!

Thoughts After ‘Midnight Sun’

Yes, it’s been quite a while since ‘Midnight Sun’ landed and rescued us all from the horrors of 2020 by mentally transporting us back to the blissful time of 2005/6. However, 768 pages is quite a lot of angst to get through, especially when one has a very demanding full time job. Sadly, ‘new book which I’m excited about leave‘, isn’t a thing; and a 768 page hardback is quite difficult to sneak under the table to read on the sly in meetings…not that I’ve ever done that…for a while. I thought about making ‘Midnight Sun’ the subject of my next review, but honestly by the time I ploughed through to the end, I had largely forgotten any significant points from the beginning or middle. Nevertheless, I did still enjoy it on the whole, and it prompted some after-thoughts which my husband and dog had no interest in listening to, but I felt the need to share somewhere – so naturally I reasoned that strangers on the internet would make the perfect listening (or reading) ears.

The experience of reading ‘Midnight Sun’ was the closest sensation I’ve had to being able to re-read a familiar book with fresh eyes, and without having to first experience some level of memory loss. I never re-read books; my late mum always said one of her biggest fears about dying was the possibility of leaving this planet without having read literally all of the books ever, and that really stuck with me. It has never made sense to me to get hung up on re-visiting the same stories when there are always so many new and exciting ones to discover, though the sad thing about reading a great book is that, even if you re-read it, you’ll never experience that same level of excitement and anticipation of unexpected plot twists and character development in the same way again. But re-telling the same story from another character’s perspective? This, I can get on board with. Despite my personal objections to Edward Cullen as an entity in himself, ‘Midnight Sun’ was the closest I’ll ever get to re-reading ‘Twilight’ for the first time, which was a special and important rite of passage for pretty much every female born in the early 90’s.

I was always very firmly ‘Team Jacob’ (and still passionately am, especially when I’m a few glasses of wine deep and watching ‘New Moon’ on Netflix); so of course I opened ‘Midnight Sun’ with a scowl and emitted very deliberate tuts at regular intervals throughout its reading, much to the irritation of my husband. But they do say to keep your enemies closer, and it has to be said that Stephanie Meyer definitely made full use of this opportunity to explain and somewhat defend Edward Cullen’s massive personal flaws. Some books will always remain classics despite some quite troubling themes, and although I seriously doubt that a generation of former mid-Noughties emo girls could ever generate sufficient hype to give the ‘Twilight’ saga anything approaching the same level of status as the universally classic, and yet equally problematic, ‘Wuthering Heights’; it was refreshing, and definitely relieving, to have the more problematic aspects of ‘Twilight’ re-visited and explained in a new light. In summary, we finally found out why Edward appears to be such a controlling d*ck throughout.

So, having seen Stephanie Meyer achieve the impossible and finally get me kind of on the side of Edward Cullen after all these years, I started to wonder (like Carrie Bradshaw), why stop there? I have no doubt that this has been a thing for a long time, and there must be a multitude of fantastic books already in circulation which have equally gripping spin-offs from the perspective of other characters, but how great would it be if this was a thing for every book we enjoyed? A quick google of this phenomenon on my post-Midnight Sun buzz uncovered some absolute dynamite book ideas which clearly other people were much quicker off the mark about writing than me. I mean, Jane Eyre from Mr Rochester’s perspective? You’re keeping your secret wife in the attic, bro, there must be another story worth telling there. Watch this space for my thoughts on that one…

Lockdown Library Part Two – The Flatshare

No, I haven’t left my husband and gone into a flat share, even though the sound of him shouting and swearing at his friends/the game they are playing/the other players/goodness only knows what else from his ‘man cave’ upstairs continues to assualt my ears on a daily basis. I shared flats for three years whilst I was a student, and hated two of those years with a vehement passion; I’m definitely too territorial to live with more than one other person (and even that is a struggle sometimes, especially in lockdown). Where was I? Oh yes, ‘The Flatshare’. This book was recommended to me by a friend with the single promotional line of “it’s totally Georgia-level chick lit!” (for clarity, my friend’s name is Georgia, this isn’t a separate sub-genre of women’s fiction, that I know of). I must confess that I was a bit apprehensive; whilst I fiercely disagree with the notion that ‘chick lit’ entails bad or sub-par writing, Georgia’s taste in chick lit is a little bit more…fluffy…than mine. I like a bit of romance as much as the next person, but I also have a cynical side which just needs a bit more substance to a story to balance out all the unneccessary mushiness (*cough* ‘Fifty Shades’ *cough*). That said, being stuck in the house with literally nothing else to do seemed like the perfect time to roll the dice on a new book – what did I have to lose? But thankfully, Beth O’Leary’s intriguing characters and twisting plot did not leave me disappointed.

“I explicitly told you that the first rule of flatsharing is that you don’t sleep with your flatmate.”

As a northerner, the struggle which London based twenty-somethings have to endure to keep a roof over their heads is somewhat alien to me. However, the overpowering desire to not have to move back in with one’s parents following a difficult break up is a truth which I think is universally acknowledged. So, Tiffy’s decision to accept the unorthodox arrangement of sharing a flat, and even a bed, with a complete stranger to avoid such peril is certainly understandable. And after all, her elusive flatmate Leon works nights and spends every weekend at his girlfriend’s house, so although they sleep in the same bed, they don’t actually sleep together; thus the first and foremost rule of flatsharing remains unbroken, right?

“Come on! You can’t share a bed and not share anything else, if you know what I’m saying.”

Although I started ‘The Flatshare’ thinking that it was going to be a fairly standard romantic story of two people initially failing to realise that their true love was right in front of them all along, this prediction was quickly forgotten as the complex plot began to unravel. The story is told from both Tiffy and Leon’s points of view, which are distinguished through completely different writing styles; to the point where it’s almost difficult to believe that the entire book was written by one person. This cannot have been an easy process for Beth O’Leary to maintain, but it really made me believe that I was inside the minds of both principal characters, and was almost like reading two different books. Both of its lead characters are also perfectly flawed in their own ways, which added masses of depth to their stories as individuals, and even more so to the overall plot as their own stories begin to overlap.

The main thing which really stood out for me in this book is how well Beth O’Leary nailed the telling of Tiffy’s recovery from her previous abusive relationship. It would have been an easy trap to fall into to write Leon as the perfect man who storms into Tiffy’s life in shining armour to pick up the pieces, but she manages to perfectly navigate away from the ‘hero’ and ‘broken damsel’ dichotomy and sensitively represents the frightening and confusing process of healing from emotional abuse which, although can be eased significantly through support from one’s friends, is a journey which ultimately involves the traveller having to fly solo and empower themselves from within.

Sprinkling romance on top of this would have been challenge enough for most authors, but Beth O’Leary went even further and added rich complexities to Leon’s past (and indeed his present), as well as a sub-plot in which he helps a terminally ill World War Two veteran to reunite with his long lost love before he dies, which, I must confess, was the ‘real’ romantic take-home-message of the story for me. Of course the actual romantic ending was lovely as well, but I am a sucker for an understated romantic story which spans across the decades. By the end, there are so many elements to this overall story that it becomes the literary equivalent of baking a carrot cake; tricky to balance all the ingredients in perfect harmony and something which I have never been able to achieve without having to cut a large portion of still-soggy mixture away from the finished result, but I was very pleased to discover that ‘The Flatshare’s complex plot is harmonised to perfection and leaves no loose ends or sogginess (except maybe some moisture in the eyes).

 

Blog Tour – Triumph of the Shipyard Girls

“It has been, and probably always will be, a constant battle for us women – having to prove our worth just because we’re female – and made so much worse by the knowledge that we’re actually so much better than the men.”

Becoming emotionally invested in a series, regardless of its format, is a risky game. There is always a feeling of inner conflict between a sense of loyalty to the characters and their stories, which you become so emotionally invested in, and the (sometimes questionable) choices of the writers; not unlike the whole Rachel and Joey getting together debacle on ‘Friends’, which seemed to have been clumsily thrown into the mix just to pass the time until the final series. Thankfully, I’m starting to feel quite certain that Nancy Revell is never going to put her loyal ‘Shipyard Girls’ fans through such trauma; since each instalment seems to be even better than the last. On that note, now that this series has a fairly established following, what are we calling ourselves? If Taylor Swift has ‘Swifties’, does that make us ‘Revellers’, perhaps? We’ll find it.

So, here we are in book eight and with the story lines still feeling as fresh as ever (phew). I believe ‘Triumph’ is book eight of twelve, but I could also be making that up – Nancy please feel free to shout at me if I just accidentally either sold you short or added to your workload. I’ve said it before, and will no doubt continue saying it every time a new ‘Shipyard Girls’ book drops, but it must be a really difficult task managing to keep a set of familiar characters and story lines feeling new and exciting for loyal readers over so many instalments; I don’t know how Nancy Revell manages this, but whatever she is doing is working perfectly. I’m a classic binger of everything; books, T.V. programmes, Haribo fizzy cola bottles – my patience (or lack of) never allows me to savour anything, so if this were my series, the story would definitely have been rushed through in a maximum of two fairly low quality installments. Infuriating as it was to finish ‘Triumph’ and still not have some of the answers I wanted, this frustration has now been channeled into unrelenting excitement for the next book.

The great thing about having a longer series is of course that it gives the author plenty of scope to play around with character development. I’m not entirely sure how this happened, it seems to have emerged as mysteriously as the lower pack pain which emerges as one approaches thirty, but I’m somehow now firmly pro-Helen. The biggest step towards this was of course within ‘Courage of the Shipyard Girls‘ and the dramatic final scenes in that book, but the drip-drip effect has continued and for some reason all of my earlier bitterness towards her has gone. Like when Geri re-joined the Spice Girls, it just…works. All the nastiness seems to have been forgotten, or just doesn’t feel important any more. Kudos to Nancy Revell, because that cannot have been an easy manoeuvre to orchestrate, sort of like trying to parallel park uphill.

“She had a habit of plunging into life – and more so, love – head first, only to resurface and find herself surrounded by chaos.”

Although I have a soft spot for all of our girls in this series (obviously except you, Miriam), Polly and Rosie have always been my two favourites; and both of them taking more of a central role within ‘Triumph’ suited me perfectly. Like most readers of this series, I’d always had my theories about Rosie’s past so it was nice to have that curious itch scratched within this instalment; and to see some continuation of positive things happening to our lovely Polly, finally! Of course Nancy Revell has once again served her readers a hefty dose of drama with a side of increased blood pressure whilst it unfolds before your eyes, but I feel like ‘Triumph’ may have been the most positive book in the series yet. By ‘positive’ I don’t mean that the others are all rubbish, far from it, but it felt like having a nice catch up with old friends and was lovely to hear that things are, generally speaking, going well for all of my girls at the moment. With all the other horrible things which have gone on, both within the lives of our Shipyard Girls and in the scary real world at the moment, it was nice to have a little pocket of positivity to enjoy within all the hideousness, and very much needed.

Triumph of the Shipyard Girls Blog Tour Banner

Why not have a look at the rest of the blog tour for more ‘Shipyard Girls’ hype?