Blog Tour – The Shipyard Girls on the Home Front

“The next few months would decide the fate of the war – and thereby, the fate of humanity.”

The feeling of being at the tipping point of a totally unprecedented moment in history, where the efforts made not just by those on the front lines but by all of us at home too, could essentially make or break whether the hardship will end successfully or continue for goodness only knows how long; is something which will resonate with anyone who reads the tenth installment of ‘The Shipyard Girls’ in real time of its release. Life often has a funny way of imitating art, and although I would like to think our world leaders are all ‘Shipyard Girls’ enthusiasts too, it’s probably more likely that this is a happy coincidence; or Nancy Revell has a crystal ball. Every book in this series has a multitude of themes and sub-plots, but the overarching theme within ‘On The Home Front’ is sacrifice, which, reading whilst I’m sat at home, having not seen family or friends in months, wearing a mask just to step outside of my front door and wondering if my hair will ever be a normal length again; felt quite poignant. Surely if our old friends from Thompson’s Shipyard are still putting the graft in, day in day out and in all weather conditions to do their bit in the fight against global fascism, often without any hope or assurance that it will end successfully, if at all, then we can do our bit on our ‘home front’ against the pandemic; by staying snuggled up indoors with a good book. As inspiring as our Shipyard Girls are, I know which ‘home front’ I’d rather be on – so thanks for giving us another great story to make that a bit easier, Nancy.

So, we’re ten books in and are still getting to know new characters; which must be quite the juggling act for Nancy Revell. I often imagine she must have an entire wall in her house covered in photos of all the different characters, with string and notes pinned in between which join and inter-connect their stories; like the briefing room on a really good police drama. Having said that, to anyone who is new to this saga, don’t let that put you off starting it. I’m a stickler for reading sagas in the correct order, but the characters in this series are created and written with so much love and detail that I do firmly believe a reader could pick up any ‘Shipyard Girls’ book and become fully immersed in the story straight away. Their rich back stories and carefully orchestrated interactions with one other allow the characters to tell more of their story in a few short lines than any summary or spoiler ever could; so even though Bobby is somewhat of a fresh face (aside from being referenced third hand by other characters previously), as always it only took a couple of pages for him to become part of the furniture.

I must admit, I wasn’t initially sure whether I really liked Bobby, but as Nancy Revell drip fed me more and more of his feelings and perceptions around significant events which us familiar ‘Shipyard Girls’ readers already knew inside out, it definitely made me look at Gloria’s long since buried back-story from another angle. Despite being a bit frustrating for the reader who has become a bit spoiled by happy endings in this saga, Bobby’s reaction to Gloria’s story was told very bravely and sensitively. Within my day job I work with a lot of people who have had similar experiences to Gloria and her boys, and as lovely as it would have been to have a rosy family reunion where all past evils are forgotten and made right by the promise of a better future, in reality the process of moving past something like that is usually quite messy and fraught with even more conflict and resentment. It would have been easy for the author to put a wholesome glow over this whole sub-plot, but she bravely gave a more ‘warts and all’ interpretation, which I’m sure will resonate with many people who may read it.

“‘Love!’ Dorothy put both hands on her chest. ‘There is to be a lot of love this year! I can feel it in my bones.'”

Of course, this being a ‘Shipyard Girls’ book, the path to true love, in whichever form that takes, continues to be anything but straightforward. We may now only be two more books away from the finale, but that evidently doesn’t mean the drama is going to slow down. I am usually a binge-reader of this series, but ‘On The Home Front’ was the first instalment I’ve read which I had to put down for my own well being. Granted, I am significantly more hormonal than usual these days, but the rollercoaster of emotions within the whole D-Day chapter did get a bit too much, especially after Rosie and Gloria’s brief interaction at the bar where they simply admitted to not being alright; which served as a moving reminder that the joyous success of D-Day, and the war itself, didn’t come without sacrifice. The statistics of fatalities throughout the War are something which can never really resonate for those who read them; numbers on a page are just that, but it’s the thoughtful re-telling of these personal stories, despite being fictional, which preserve the personal struggles felt by so many people throughout those tremendously difficult years.

Speaking of binge-reading, I did also commit a cardinal reading sin when I was about two thirds of the way through ‘On The Home Front’. My baffled husband looked out of the corner of his eye to me frantically thumbing through the pages ahead with a determined look and asked what on Earth I was doing; to which my response was something like “I need to know if he’s alright after this, I need to know what I’m getting into before I continue!” To which he said “can’t you just read it?”. Of course I could have simply read the book at a normal rate, but I felt the need to emotionally prepare. Once I found the reassurance I needed, I snuggled back down into the duvet and continued happily. Until the next evening. Being a ‘Shipyard Girls’ book, of course there are still plot twists at every turn; and so the smugness I felt at having spoiled some perfectly good tension building for myself by skipping ahead for reassurance, was quickly wiped away when Nancy Revell threw another unexpected twist at me. I certainly deserved it, but I was furious. I don’t mean to speak (or write) in riddles, but I don’t like to spoil these things for anyone who hasn’t already read this, however if I simply mention the foreshadowing of the aeroplane having done this journey umpteen times without issue, anyone who has read it will know what I mean. It was with the same smugness that they said the Titanic was unsinkable; so I really should’ve seen that one coming.

Still, if we’re ten books in and I’m still finding the plots to be unpredictable, then this is absolutely not a bad thing. Just, maddeningly frustrating at times – but I wouldn’t have it any other way, and I’m sure all you other ‘Shipyard Girls’ enthusiasts would agree!

Blog Tour – The Paper Mill Girl

“If she wanted to protect her family, she had to make an impossible choice.”

A young girl living in an already difficult situation is faced with an even bigger challenge and must find strength she didn’t know she had to overcome said challenge; then ultimately comes out on top and with her dream man in tow? Saga readers like myself do like to think we have it all worked out, don’t we? But, as with its equally exciting predecessors, Glenda Young has once again blown all of those pre-conceived assumptions out of our minds like a gale swirling around the pier of Hendon Beach with her latest novel ‘The Paper Mill Girl’, and its fiercely independent heroine Ruth Hardy.

That said, Ruth’s mission to navigate almost Dickensian conditions which just seem to get periodically harder as more and more obstacles present themselves, with no real hope or guarantee of when things will get better made for an incredibly humbling read. Of course I don’t mean to say that ‘The Paper Mill Girl’ is depressing and will leave you feeling like this poor girl could never catch a break in life, but her inspiring story just became that bit more thought provoking through reading it in a time when we really don’t know when we’ll be coming out of the horrible situation that we’ve all found ourselves in for the past year; and yet all we seem to do is complain and dwell on the awful sides of it, whilst the Ruth Hardys of the world are simply putting on their tattered old boots, lifting their skirts and putting one foot in front of the other with no solid hope or reassurance that things will get better. In a nutshell – I felt a bit crap reading about her incredible and inspiring story on a Saturday afternoon in my warm house whilst feeling bitter about how long it’s been since I could go shopping and get an overpriced latte from a coffee chain.

“You’re an angel, Ruth Hardy. You know that? You care for everyone else and take nothing for yourself. I don’t know how you do it.”

Obviously Ruth’s story is fictional, but no doubt inspired by the real tales of so many women from a time period which is largely overlooked by the history books, and as with all of Glenda Young’s stories, was so well researched that it wouldn’t surprise me in the slightest if it turned out there really had been a real life woman who had this, or an extremely similar story to tell. I actually grew up near the old Hendon Paper Mill, and went to school just around the corner from where it stood, but am embarrassed to admit that I had to have a little google of where it actually stood and how long it had been in operation. I was aware of it to an extent, but unlike Sunderland’s more dominant industries like the mines and shipyards, the paper mill has largely been lost to the history books like a battered old toy forgotten at the back of a cupboard. That is, until Glenda Young obviously came along, realised the potential for so many amazing stories which have been sitting in the back of a metaphorical cupboard and breathed new life into this largely forgotten part of our Mackem history. (Google that phrase if you’re not from the North East).

Of course it wouldn’t be a saga novel without some romance weaved in between Ruth’s overarching endeavours, but once again Glenda Young has left the ‘know it all’ saga readers such as myself perplexed, intrigued and sometimes a bit angry through the twists and turns in Ruth’s relationship with the charming but, at times somewhat disappointing, Mick Carson. I really try not to spoil the plot for anyone in these reviews, but I must say I was bloomin’ furious when he started being a bit of a, well, a bit of a bloke really! Fictional leading men aren’t supposed to be useless – we have real life men to provide us with disappointment and we read books to escape and dream about men who don’t sometimes say the wrong thing or get intimidated by our fearlessness and let us down.

“Love seemed to have a nasty way of making itself felt in hurt and despair.”

But, I’ve said before how I love Glenda Young’s stories in particular because they don’t follow the typical reassuring plot themes of some other historical saga novels; and the relationship between Ruth and Mick definitely kept me on my toes as I turned the pages and had genuinely no idea as to how it was going to pan out. Again, as with all of Glenda Young’s wonderful novels however, it was apparent throughout ‘The Paper Mill Girl’ that she really knew Ruth inside out, and so graced her readership with the ending that she and the other characters deserved, without falling into the trap of being a sickeningly perfect romantic reconciliation which we all saw coming from chapter one. I have no doubt that it would’ve been easier to write a consistently perfect romantic hero, but as many of us know that’s very rarely how it goes in real life. The perfectly imperfect, human nature of Glenda Young’s characters are what keeps her readership hooked, and we come back time and time again as we know she will always take us on a journey through unexpected twists and turns which challenge both our beloved characters and our assumptions; always leading to a surprising yet perfectly fitting and thought provoking ending. After all, the path to true love never did run smooth did it?

Clap for Our Authors

Lockdown really was alright for a few minutes there, wasn’t it? Obviously the looming spectre of a potentially deadly virus hanging over our every move wasn’t (and still isn’t) ideal, but those first few weeks of ‘working from home’ i.e. lazing around in the sun-soaked garden while making a serious dent in my ‘to-read’ pile was ideal. Even my literature-hating husband, delighted at the prospect of three whole weeks on furlough (how naive we were), was happily spending whole afternoons with his nose in a book. But somewhere within that strange, increasingly unsettling cycle of ‘Groundhog Day’, reading, for me anyway, became less of a relaxing indulgence and more of a survival technique.

It’s a truth which is universally acknowledged that the more you do something, the less enjoyment you will ultimately take from it; I cite the great vomiting incident of 2008 as a prime example – when a six hour turbulent plane journey became the first and last time I ever chain-ate Oreos. Anyway, somewhere around mid-May, when I had exhausted all of my flour-free baking recipes and was even starting to find the ‘Tiger King’ memes less and less funny, I became increasingly reliant on books to pass the endless hours; binge reading anything I could get my hands on until I found myself at the bottom of my reading pile and experiencing what can only be described as withdrawals.

With the bookshops closed, I wiped the dust off my Kindle (never an adequate substitute for the real thing, but it always comes through for me in times of crisis) and spent hours trawling through Amazon in desperate search of a story which I could get excited about. Unfortunately, as with clothing and life partners, if you go searching for something with pre-existing standards in mind, you’ll never be able to find the ‘right one’. So, by June I was reading what can only be politely described as ‘any old rubbish’. As has been made abundantly clear by the general content of this blog, the only thing which excites me as much as reading books is writing about books; but, I’m also a firm believer that if you don’t have anything nice to say, you shouldn’t say anything at all – especially on the already-cruel place that is the Internet. I would never name and shame books that I didn’t enjoy, not least because it’s just not very nice, but also just because one person doesn’t ‘get’ someone’s writing, I find, generally has no bearing on whether anyone else will; so what would the point be in being rude?

Having said that, even when I was in a lockdown-induced rut of reading things that weren’t really exciting me, books remained the perfect escapism. Obviously, us book-nerds knew that already, but in the midst of new film releases being postponed and production of new TV shows or series being halted, books became one of the few joys which hadn’t been cancelled. I may have missed out on travelling for my honeymoon this year (for the second time, thanks Covid AND Thomas Cook), but no pandemic or financial crisis could stop me from flipping through the pages of a book and allowing the author to take me into another world. We’ve clapped for our key workers (rightly so) for keeping us safe, praised (and subsequently cursed) Joe Wicks for making us realise how unfit we all are and praised the TV networks for uploading our favourite throwbacks (yes, I binged ‘My Family’ and ‘Big Brother’s Best Bits’ because I love a bit of nostalgia). But, at no point do we seem to have acknowledged our authors. Books have remained a constant; their releases have still largely gone ahead (albeit without signings), and well-written stories will always continue to be there to take us away from all the horribleness and transport us to somewhere new and exciting. So, to the world’s authors, I just want to say thank you – for continuing to create inspirational characters, thrilling plots and enchanting settings from within your lockdown workspaces, which are always there to whisk us away from the awfulness to somewhere wonderful, with the simple ease of turning a page.

Lockdown Library Part Two – The Flatshare

No, I haven’t left my husband and gone into a flat share, even though the sound of him shouting and swearing at his friends/the game they are playing/the other players/goodness only knows what else from his ‘man cave’ upstairs continues to assualt my ears on a daily basis. I shared flats for three years whilst I was a student, and hated two of those years with a vehement passion; I’m definitely too territorial to live with more than one other person (and even that is a struggle sometimes, especially in lockdown). Where was I? Oh yes, ‘The Flatshare’. This book was recommended to me by a friend with the single promotional line of “it’s totally Georgia-level chick lit!” (for clarity, my friend’s name is Georgia, this isn’t a separate sub-genre of women’s fiction, that I know of). I must confess that I was a bit apprehensive; whilst I fiercely disagree with the notion that ‘chick lit’ entails bad or sub-par writing, Georgia’s taste in chick lit is a little bit more…fluffy…than mine. I like a bit of romance as much as the next person, but I also have a cynical side which just needs a bit more substance to a story to balance out all the unneccessary mushiness (*cough* ‘Fifty Shades’ *cough*). That said, being stuck in the house with literally nothing else to do seemed like the perfect time to roll the dice on a new book – what did I have to lose? But thankfully, Beth O’Leary’s intriguing characters and twisting plot did not leave me disappointed.

“I explicitly told you that the first rule of flatsharing is that you don’t sleep with your flatmate.”

As a northerner, the struggle which London based twenty-somethings have to endure to keep a roof over their heads is somewhat alien to me. However, the overpowering desire to not have to move back in with one’s parents following a difficult break up is a truth which I think is universally acknowledged. So, Tiffy’s decision to accept the unorthodox arrangement of sharing a flat, and even a bed, with a complete stranger to avoid such peril is certainly understandable. And after all, her elusive flatmate Leon works nights and spends every weekend at his girlfriend’s house, so although they sleep in the same bed, they don’t actually sleep together; thus the first and foremost rule of flatsharing remains unbroken, right?

“Come on! You can’t share a bed and not share anything else, if you know what I’m saying.”

Although I started ‘The Flatshare’ thinking that it was going to be a fairly standard romantic story of two people initially failing to realise that their true love was right in front of them all along, this prediction was quickly forgotten as the complex plot began to unravel. The story is told from both Tiffy and Leon’s points of view, which are distinguished through completely different writing styles; to the point where it’s almost difficult to believe that the entire book was written by one person. This cannot have been an easy process for Beth O’Leary to maintain, but it really made me believe that I was inside the minds of both principal characters, and was almost like reading two different books. Both of its lead characters are also perfectly flawed in their own ways, which added masses of depth to their stories as individuals, and even more so to the overall plot as their own stories begin to overlap.

The main thing which really stood out for me in this book is how well Beth O’Leary nailed the telling of Tiffy’s recovery from her previous abusive relationship. It would have been an easy trap to fall into to write Leon as the perfect man who storms into Tiffy’s life in shining armour to pick up the pieces, but she manages to perfectly navigate away from the ‘hero’ and ‘broken damsel’ dichotomy and sensitively represents the frightening and confusing process of healing from emotional abuse which, although can be eased significantly through support from one’s friends, is a journey which ultimately involves the traveller having to fly solo and empower themselves from within.

Sprinkling romance on top of this would have been challenge enough for most authors, but Beth O’Leary went even further and added rich complexities to Leon’s past (and indeed his present), as well as a sub-plot in which he helps a terminally ill World War Two veteran to reunite with his long lost love before he dies, which, I must confess, was the ‘real’ romantic take-home-message of the story for me. Of course the actual romantic ending was lovely as well, but I am a sucker for an understated romantic story which spans across the decades. By the end, there are so many elements to this overall story that it becomes the literary equivalent of baking a carrot cake; tricky to balance all the ingredients in perfect harmony and something which I have never been able to achieve without having to cut a large portion of still-soggy mixture away from the finished result, but I was very pleased to discover that ‘The Flatshare’s complex plot is harmonised to perfection and leaves no loose ends or sogginess (except maybe some moisture in the eyes).