Summer Reads

I feel like I keep starting every blog post with an apology for the lack of recent posting, but by skipping July entirely I’ve set a new record for myself. However, instead of boring you with yet more excuses about how busy my day job is and how stressful it is organising a wedding (which will all be over and done with in four weeks – eek!), I’m just going to glaze right over that and skip ahead to the actual post.

So, apparently it’s summer. Despite the constant rain storms and the fact that I sadly no longer get six weeks of freedom to mark the occasion, according to my calendar it is in fact summer. I’ve never quite understood the logic around ‘summer’ book promotions – as anyone who has visited this blog before will be well aware, I read anything and everything and the time of year doesn’t really come into the decision making process. Having said that, book shops and women’s magazines seem to become inundated with ‘holiday reading’ recommendations faster than chemists can promote this year’s must have ‘chub rub’ hack (still haven’t been able to find that liquid talc, god dammit, Asda). So, I decided to compile a quick list of my personal favourite summer reads.

In the same way Christmas seems to exist on a foundation of do-gooding and pigging out, I’ve always thought that Summer is constructed around an obsession with self reinvention and the pursuit of new adventures, yet also at the same time built on a premise of revisiting one’s past and reveling in how far you’ve come (think Reese Witherspoon in Sweet Home Alabama). On that basis, I decided to include books with plots or general feelings along those lines, rather than a stereotypical romance by the pool with the cabana boy type rubbish which usually hog the limelight in Summer promotions.

The Single Girl’s To-Do List – Lindsey Kelk

It’s very difficult to review a book which you read seven years ago, BUT, the fact that I read it so long ago and still think of it as a good summer read surely counts for something, yes? I read this in my first ‘grown up’ summer, after finishing my A Levels and trying to figure out the next step in my life, and although I genuinely can’t remember specific parts of the plot or even the characters’ names without Googling it – what sticks with me is that feeling of freedom, that anything is possible and that a Summer lived to the max has some inane power to turn you from the proverbial caterpillar into the butterfly you always knew you could be.

The Last Piece of My Heart – Paige Toon

Disclaimer: every Paige Toon book is a perfect summer read, but TLPOMH is the one that really sticks out for me. I grew up in a family that loved staycations – i.e. staying in the U.K. for holidays (usually in a caravan), so for me, being in a campervan in Cornwall signifies everything that is British Summer. Falling in love whilst staying on an actual British caravan site by the sea brought back endless memories of a misspent youth for me, do with that information what you will. As with all of Paige Toon’s work, the reader becomes completely and utterly immersed in the setting, and you fall in love with yet another fictional character which sadly only exists inside Paige Toon’s mind. But, again as with all Paige Toon books, you end it with your heart feeling full and an overwhelming desire to sack off your day job and take off in a Campervan looking for hot widowers to pursue romance with.

The Vast Fields of Ordinary – Nick Burd

Simply one of, if not my actual, favourite books of all time. This is a young adult fiction book which was gifted to me by my mum years ago, though I managed to misplace it and then find it again as an adult; but the writing still had exactly the same impact. I’m a big advocate of adult readers exploring young adult fiction – there’s something about the YA genre which makes writers push the boundaries a bit more and let their creative freak flags fly (I’m looking at you, Twilight, I mean what on Earth was that actually?). Like The Breakfast Club, this is one of those wonderfully plot-less yet still gripping stories. It takes place over the summer holidays and follows the teenage protagonist as he tries to navigate through his first love, which is relatable to absolutely everyone young or old, but the story also runs in parallel to a local child mysteriously disappearing. I’m not aware of anything else Nick Burd has written (please send links my way if he has), but the writing is just extraordinary. Also, the love triangle which is the central focus of the plot involves three gay male teenagers, which is a really refreshing change from all the hetero-normative girl-meets-boy teen romance which seems to dominate the shelves (again, sorry Twilight, I secretly love you really).

Ingo – Helen Dunmore

Another young adult fiction book which I was gifted by my English-teacher mother, I’m sensing a theme here. I read, actually no it’s more accurate to say I devoured, the Ingo series when I was in my early teens. Again, I love an English seaside town in the Summer as the backdrop for an adventure, and anything involving a mermaid will always have me on board. Even when I have re-read these books as an adult, I’m still always sucked into the magic and excitement of Sapphire discovering the magical underwater world of Ingo, and her long lost father. What starts as every little girl’s dream, finding a secret mermaid colony right on her doorstep, develops into quite an intense saga which spans multiple installments, throughout which Sapphire is conflicted between the life she’s always known and the complicated, sometimes dark, world of Ingo where her familial roots lie; which at times physically pulls her in.

Go Set a Watchman – Harper Lee

Unpopular literary opinion alert – I don’t really get the hype of To Kill a Mockingbird, though this is at least 99% due to the fact that I studied it for English Literature GCSE within a school that thought watching the film and learning four or five quotes was an acceptable substitute for actually teaching literature for two years. Rant over. I did re-visit To Kill a Mockingbird as an adult, and have to admit I enjoyed it far more when I wasn’t under pressure to remember specific quotes about a rabid dog and walking around in someone else’s shoes which I would then later have to regurgitate onto an AQA workbook in a smelly, sweaty school hall in mid-June. Mockingbird, although it reads a bit weirdly and more like columns than a novel, is a classic Summer story in my humble opinion – for me it’s tyre swings, lakes and running freely with your friends whilst relishing in the fact that school is out (try reading that last bit without getting Alice Cooper stuck in your head – impossible). Scout Finch will always be one of my main literary heroes; I want to call my future daughter Scout but sadly my husband to be does not appreciate good feminist heroes. Watchman is again a Summer story of the American countryside: tyre swings, lakes and catching up with friends, but experienced through the adult Scout who returns to Macomb with a fresh pair of eyes from her new life in New York. Although the plot is a little darker than Mockingbird (yes that apparently is possible), it still left me with a warm heart and a nostalgic smile on my face from revisiting summers gone by and seeing how Scout graduated into the adult, yet still just as feisty, Jean-Louise Finch.

 

 

Review – If You Could Go Anywhere

It’s mildly ridiculous that I’ve been writing this blog for almost a year and have yet to review any Paige Toon books. I had always been aware of her writing but never got around to reading any of her books until I met her at a signing last year, and since reading ‘Five Years from Now’ have become hooked and got through her entire back catalogue with rapid speed. I think a lot of readers are put off her books because, if you line them all up together, they do look like a stereotypical, mushy ‘chick-lit’ series which is one dimensional and lacks any real substance. I don’t know why so many people hate on ‘chick lit’ (I wrote a specific rant about this previously) – if a book is good it’s good, I don’t think genre particularly matters and, why is it so ridiculous that someone might want to read books which make them all warm and fuzzy inside? Rom-com films largely follow the same formula as ‘chick-lit’ and they aren’t frowned upon in the slightest. I’ll never understand literary snobs, but I digress as always.

“Angie has always wanted to travel, but at twenty-seven she has barely stepped outside the small mining town where she was born. Instead, she discovers the world through stories told to her by passing travellers, dreaming that one day she’ll see it all for herself.

When her grandmother passes away, leaving Angie with no remaining family, she is ready to start her own adventures. Then she finds a letter revealing the address of the father she never knew, and realises instantly where her journey must begin: Italy.”

The thing which really makes Paige Toon’s books stand out from others in this genre is that there is always a massive amount of significance given to the location in which the characters’ stories unfold. With every story of hers I have read, I’ve always felt completely immersed in the characters’ worlds and she always takes her readers on a journey through these places, essentially like Google maps; and ‘If You Could Go Anywhere’ is no exception. I was completely transported to the streets of Rome and it was like I was stood behind Angie the whole time, taking in what she was discovering. The locations in the book, as with all of Paige Toon’s work, act as benchmarks through which the characters’ stories progress, rather than through linear dates or significant life events, which allows the story to run much deeper and properly submerges the reader in the characters’ thoughts and feelings, rather than being focused around pacing and where the story is ‘going’.

I think this is what always keeps Paige Toon’s work so original, although the plots are always great and the character development is amazing, new and different locations allow for great characters to blossom within different cultures and keep their stories fresh. Again, I have absolutely no issues with ‘chick-lit’, I think it’s as valuable a genre as any other and if a formula works then why change it? But, the magic formula of a girl meeting a boy who helps her get over some past issues and she discovers who she really is along the way, can start to feel a little bit tired when you read as much as I do. It’s no reflection on the genre or skills of the author, but when you read a lot it does start to feel a bit tedious reading about yet another single twenty-something with a HR job in London who is struggling with the loss of a parent or sibling and trying to progress her career.

On the topic of the ‘magic formula’ of chic-lit and classic ‘girl meets boy’ novels, of which there is nothing inherently wrong, ‘If You Could Go Anywhere’ completely turned this on its head. Without revealing too many spoilers, on completion of this book I would definitely say that it’s actually a story of the girl saving the boy – Angie is definitely the strong pair of arms shielding him from his inner demons, which is really refreshing and very 2019 – feminism, yay! It would have been very easy for Paige Toon to take shy, sheltered Angie on a journey across Italy with a daring, carefree, ‘tumbleweed blowing in the wind’ Jack Dawson type who shows her how to really live, and that would have been a perfectly lovely plot, but Paige never does a plot by halves. Angie is a very tempting character to place in the role of a damsel in distress and I think if the author had fallen into this trap, the overall plot and character development wouldn’t have had half the impact – Angie becomes so headstrong and independent by the end of the story that it is really inspiring, and not only does she become her own hero but she becomes someone else’s too, which is an absolute 180 turn from the Angie at the beginning – though as with all Paige Toon books, I’m too busy enjoying the amazing setting to notice how much the character has developed through subtle changes until it hits you in the face during the climactic finale.

So, if you have been living under a rock and are not familiar with Paige Toon, or if you’ve been reluctant to try her work because it looks too ‘chick-lit’, I would absolutely suggest picking up literally any of her novels as a starting point because you will inevitably end up reading them all. Hopefully ‘If You Could Go Anywhere’ is followed by yet more additions to the long list of Paige Toon’s totally inspiring and feel-good reads. Besides, surely she can’t retire until she’s written about at least every country? Certainly doable if you ask me…